Shakespeare as a Dramatic Artist: With an Account of His Reputation at Various PeriodsC. Scribner's Sons, 1901 - 449 páginas |
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... representation both of his own state of mind , and of the state of mind in reference to himself which he called into being , a separate treatise became indispensable . So much for the controversies belonging to this first class . It was ...
... representation both of his own state of mind , and of the state of mind in reference to himself which he called into being , a separate treatise became indispensable . So much for the controversies belonging to this first class . It was ...
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... REPRESENTATIONS OF VIOLENCE AND BLOOD- SHED PAGE 1 37 87 129 · 174 209 VI . MINOR DRAMATIC CONVENTIONS VII . LATE SEVENTEENTH - CENTURY CONTROVERSIES ABOUT SHAKESPEARE • · · 257 • 293 VIII . ALTERATIONS OF SHAKESPEARE'S PLAYS . IX ...
... REPRESENTATIONS OF VIOLENCE AND BLOOD- SHED PAGE 1 37 87 129 · 174 209 VI . MINOR DRAMATIC CONVENTIONS VII . LATE SEVENTEENTH - CENTURY CONTROVERSIES ABOUT SHAKESPEARE • · · 257 • 293 VIII . ALTERATIONS OF SHAKESPEARE'S PLAYS . IX ...
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... representation , sprang up a third party , which insisted that the time should be confined to the artificial instead of the natural day . The period be- tween sunrise and sunset was all that in their eyes could be properly allotted ...
... representation , sprang up a third party , which insisted that the time should be confined to the artificial instead of the natural day . The period be- tween sunrise and sunset was all that in their eyes could be properly allotted ...
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... representation , so also at certain periods , and especially in certain countries , a strenuous effort was put forth that nothing should take place in the performance of the play which would necessitate any change of scene whatever ...
... representation , so also at certain periods , and especially in certain countries , a strenuous effort was put forth that nothing should take place in the performance of the play which would necessitate any change of scene whatever ...
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... representation . These are both plays which by the very nature of their being are obliged to observe the unities . Furthermore , before this same period there was a school of writers for the stage who in comedy professed to follow the ...
... representation . These are both plays which by the very nature of their being are obliged to observe the unities . Furthermore , before this same period there was a school of writers for the stage who in comedy professed to follow the ...
Outras edições - Ver tudo
Shakespeare as a Dramatic Artist: With an Account of His Reputation at ... Thomas Raynesford Lounsbury Visualização integral - 1908 |
Shakespeare as a Dramatic Artist: With an Account of His Reputation at ... Thomas R. Lounsbury Visualização integral - 1901 |
Shakespeare as a Dramatic Artist: With an Account of His Reputation at ... Thomas R. Lounsbury Visualização integral - 1901 |
Palavras e frases frequentes
absurd acted action admiration alteration ancient appeared Aristotle asserted audience belief Ben Jonson blank verse brought censure character Charles Gildon chorus classical classicists comedy comic conform consequence contemporaries controversy Coriolanus criticism Dennis disregard doctrine drama dramatist Dryden effect eighteenth century Elizabethan English stage Essay exhibited existed expressed fact faults favor feelings followed French Furthermore Garrick genius Gildon Greek Hamlet Henry Herringman humorous ignorance instance John Dryden Jonson Julius Cæsar later Lear literature London Macbeth matter modern moral nature never observe the unities opinion Othello passion period piece play playwrights plot poet poetic justice poetry practice preface Printed produced prologue propriety regard remarks representation represented Restoration Romeo and Juliet rules ryme Rymer scene Shake Shakespeare sort speare success taken taste theatre Theatre Royal things tion Titus Andronicus tragedy tragi-comedy tragic truth violation Voltaire words writer written wrote
Passagens conhecidas
Página 304 - In sooth, I know not why I am so sad : It wearies me ; you say it wearies you ; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn ; And such a want-wit sadness makes of me. That I have much ado to know myself.
Página 109 - THE stage is more beholding to love than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies ; but in life it doth much mischief — sometimes like a siren, sometimes like a fury.
Página 4 - Muses' anvil; turn the same (And himself with it) that he thinks to frame, Or, for the laurel, he may gain a scorn; For a good poet's made, as well as born.
Página 243 - But what we gained in skill we lost in strength. Our builders were with want of genius curst; The second temple was not like the first; Till you, the best Vitruvius, come at length, Our beauties equal, but excel our strength.
Página 294 - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops : I must be gone and live, or stay and die.
Página 4 - Yet must I not give nature all; thy art, My gentle Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat (Such as thine are) and strike the second heat Upon the Muses...
Página 21 - Now ye shall have three ladies walk to gather flowers, and then we must believe the stage to be a garden. By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster, with fire and smoke, and then the miserable beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field...
Página 347 - As a general statement, this is quite true, and it is to be hoped that, as it has been in the past, so it will be in the future.
Página 31 - First, if it be objected, that what I publish is no true poem, in the strict laws of time, I confess it : as also in the want of a proper chorus ; whose habit and moods are such and so difficult, as not any, whom I have seen, since the ancients, no, not they who have most presently affected laws, have yet come in the way of.
Página 20 - For where the stage should always represent but one place, and the uttermost time presupposed in it should be, both by Aristotle's precept and common reason, but one day, there is both many days and places, inartificially [unskilfully] imagined.