The Merchant of Venice: Choice, Hazard, and ConsequenceMacmillan, 1995 - 369 páginas The interpretative problem that haunts The Merchant of Venice, Shakespeare's most performed and currently most controversial comedy, concerns the question of artistic unity: did Shakespeare effectively integrate his multiple plots and apparently divergent worlds of Venice and Belmont? Joan Ozark Holmer examines Shakespeare's indebted and innovative theatrical choices regarding his comedy's structure, language, ideas, and characters. Discovering a tightly knit interplay of contrarieties and correspondences, she argues for the play's unity of dramatic design through its enactment of choices for or against a complex conception of wise love. Historical contexts - aesthetic, theological, and economic - anchor the play's problems of finance and faith that make or break a variety of secular and spiritual bonds. An on-going dialogue with past and present criticism gauges altering perspectives and persuasions in the critics' performance. Because most modern contention centres on the question of anti-Semitism, a consideration of how the play encodes sixteenth-century concepts of Jews illuminates their cultural moment and ours. If Shakespearean drama can be said to be an infinitely varied experience in seeing feelingly, then the play entertains and educates through dilemmas of choice and ironic reversals that expose the human difficulty of knowing and doing well. Presenting possible new sources as well as new evidence from recognised sources, Holmer highlights issues usually underestimated in the play's criticism. Examples include the interrelation of wealth and faith with literal and figurative conversions, the importance of usury, biblical allusion and the instrumentality of stage law. Taking the recapitulation of the final act for closure of both play and book, she analyses its incorporative design for summing the circle of the play, concluding with an awareness of how this play fits within Shakespeare's canon and at the same time continues to 'exceed account' in its imaginative reckoning. |
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Página xii
... Marlowe , charting his own remarkably new dramatic territory . If Shake- speare is anxiously trying to contain Marlowe's ghostly influence , he succeeds wonderfully with various examples that range from assiduous assimilation to ...
... Marlowe , charting his own remarkably new dramatic territory . If Shake- speare is anxiously trying to contain Marlowe's ghostly influence , he succeeds wonderfully with various examples that range from assiduous assimilation to ...
Página 115
... Marlowe's Jew of Malta reveals itself in matters major – such as his reversal of Marlowe's early placement and tragic function of the conversion stipulation regarding both faith and wealth ( to be examined in Chapter 5 ) - as well as in ...
... Marlowe's Jew of Malta reveals itself in matters major – such as his reversal of Marlowe's early placement and tragic function of the conversion stipulation regarding both faith and wealth ( to be examined in Chapter 5 ) - as well as in ...
Página 299
... Marlowe's crafting of the same type of line in terms of syntax , stress , and idea of self - centredness which is essential to Barabas's motivation ( 1.1.171 ) and motto ( 1.1.187 ) . More work needs to be done on this score . For ...
... Marlowe's crafting of the same type of line in terms of syntax , stress , and idea of self - centredness which is essential to Barabas's motivation ( 1.1.171 ) and motto ( 1.1.187 ) . More work needs to be done on this score . For ...
Índice
Structure and Language | 40 |
Friends and Lovers | 95 |
Antonio and Shylock | 142 |
Direitos de autor | |
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The Merchant of Venice: Choice, Hazard, and Consequence Joan Ozark Holmer Pré-visualização indisponível - 1995 |
The Merchant of Venice: Choice, Hazard and Consequence Joan Ozark Holmer Pré-visualização indisponível - 1995 |
Palavras e frases frequentes
Abigail allusion Antonio and Shylock Antonio's Barabas Barabas's Bassanio Belmont biblical blessing Cambridge casket test characters choice choose Christ Christian comedy comic conversion critics Danson daughter death deed dramatic ducats Elizabethan audience emphasis example faith father flesh bond friendship gain Geneva Bible Gerontus Gesta Romanorum gift giving and hazarding gloss God's Gratiano hate Hebrew human idea intended interpretation Iscah italics Jacob Jessica Jew of Malta Jewish judgement justice Lancelot lending literal literary London Lopez Lorenzo Mahood Marlowe Marlowe's meaning Merchant of Venice mercy Morocco and Arragon Mosse murder Nashe Nerissa oath Pecorone penalty perspective play's Portia pound of flesh R. H. Tawney religious Renaissance revenge rings episode Salarino Shake Shakespeare Shelah Shylock Shylock's bond sixteenth-century Solanio speare's speech spirit Testament Thomas Thomas Lodge Thomas Nashe tion trial scene Tubal University Press usurer usury Venetian wealth Wilson wisdom wise love word
Referências a este livro
Robert Southwell and the Mission of Literature, 1561-1595 ..., Volume 45 Scott R. Pilarz Pré-visualização indisponível - 2004 |