Napoleon and English RomanticismNapoleon Bonaparte occupied a central place in the consciousness of many British writers of the Romantic period. He was a profound shaping influence on their thinking and writing, and a powerful symbolic and mythic figure whom they used to legitimize and discredit a wide range of political and aesthetic positions. In this first ever full-length study of Romantic writers' obsession with Napoleon, Simon Bainbridge focuses on the writings of the Lake poets Wordsworth, Coleridge and Southey, and of Byron and Hazlitt. Combining detailed analyses of specific texts with broader historical and theoretical approaches, and illustrating his argument with the visual evidence of contemporary cartoons, Bainbridge shows how Romantic writers constructed, appropriated, and contested different Napoleons as a crucial part of their sustained and partisan engagement in the political and cultural debates of the day. |
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
Wordsworths Napoleonic | 54 |
The Lake poets | 95 |
Byron and Napoleon 18131814 | 134 |
The greatest event of modern times | 153 |
Hazlitts Napoleonic riposte | 183 |
The Age of Bronze | 208 |
Bibliography | 238 |
253 | |
Outras edições - Ver tudo
Palavras e frases frequentes
analogy appeared argues argument battle become Book British Buonaparte Byron called campaign career cause character Coleridge Coleridge's complex contemporary context Convention Critical described early English epic essay established evil example fall feelings figure final force France French Revolution Gebir give glory Hazlitt hero heroic hopes illustrated Imagination important Italy James Gillray John kings Landor language later letter liberty lines literary living London Lord means Milton mind moral Napoleon nature never Oxford Paradise Lost particularly passage period plot poem poet poetic poetry political position Prelude present Quoted reference representation of Napoleon represents response role Romantic Romanticism Satan Scott seems seen sonnet Southey Southey's spirit stage stanza strength sublime suggests Switzerland symbol things thought tion turn University Press usurpation victory vision Walter Waterloo Wordsworth writing written wrote