as you have books for good manners: I will name you the degrees. The first, the Retort courteous; the second, the Quip modest; the third, the Reply churlish; the fourth, the Reproof valiant; the fifth, the Countercheck quarrelsome; the fixth, the Lie with circumstance; the seventh, the Lie direct. All these you may avoid, but the lie direct; and you may avoid that too, with an If. I knew when seven justices could not take up a quarrel; but when the parties were met themselves, one of them thought but of an If, as, If you said so, then I said so; and they shook hands, and swore brothers. Your If is the only peace-maker; much virtue in If. Jaq. Is not this a rare fellow, my lord? he's as good at any thing, and yet a fool. Duke S. He uses his folly like a stalking-horse, and under the presentation of that, he shoots his wit. Enter HYMEN, leading ROSALIND in clothes; and CELIA. Still Musick. in woman's Hym. Then is there mirth in heaven, Good duke, receive thy daughter, That thou might'st join her hand with his, with the highest humour and address: nor could he have treated it with a happier contempt, than by making his Clown so knowing in the forms and preliminaries of it. The particular book here alluded to is a very ridiculous treatise of one Vincentio Saviolo, intitled, Of Honour and honourable Quarrels, in quarto, printed by Wolf, 1594. 7 Enter Hymen,] Rosalind is imagined by the rest of the com To Ros. To you I give myself, for I am yours. you I give myself, for I am yours. [To Duke S. [TO ORLANDO. Duke S. If there be truth in sight, you are my daughter. Orl. If there be truth in sight, you are my Rosalind. Phe. If sight and shape be true, Why then, my love adieu! Ros. I'll have no father, if you be not he: [To Duke S. I'll have no husband, if you be not he: [To ORLANDO. Nor ne'er wed woman, if you be not she. [TO PHEBE. Hym. Peace, ho! I bar confusion: If truth holds true contents. 8 [To ORLANDO and ROSALIND. You and you are heart in heart: [To OLIVER and CELIA. You [To PHEBE] to his love must accord, You and you are sure together, [To TOUCHSTONE and AUDREY. As the winter to foul weather. Whiles a wedlock-hymn we sing, Feed yourselves with questioning; pany to be brought by enchantment, and is therefore introduced by a supposed aerial being in the character of Hymen. 8 If truth holds true contents.] That is, if there be truth in truth, unless truth fails of veracity. That reason wonder may diminish, SONG. Wedding is great Juno's crown; Duke S. O my dear niece, welcome thou art to me; Even daughter, welcome in no less degree. Phe. I will not eat my word, now thou art mine; Thy faith my fancy to thee doth combine." Enter JAQUES DE BOIS. [TO SILVIUS. Jaq. de B. Let me have audience for a word, or two; I am the second son of old sir Rowland, That bring these tidings to this fair assembly:— 9 combine.] Shakspeare is licentious in his use of this verb, which here only signifies to bind. That were with him exíl'd: This to be true, Play, musick;-and you brides and bridegrooms all, And thrown into neglect the pompous court? Jaq. To him will I: out of these convertites [To Duke S. Your patience, and your virtue, well deserves it:You [To ORLANDO] to a love, that your true faith doth merit: You [To OLIVER] to your land, and love, and great allies: You [To SILVIUS] to a long and well deserved bed; And you [To TOUCHSTONE] to wrangling; for thy loving voyage Is but for two months victual'd:-So to your pleasures; I am for other than for dancing measures. Jaq. To see no pastime, I:'-what you would have I'll stay to know at your abandon'd cave. [Exit. Duke S. Proceed, proceed: we will begin these rites, And we do trust they'll end, in true delights. [A dance. EPILOGUE. Ros. It is not the fashion to see the lady the epilogue: but it is no more unhandsome, than to see the lord the prologue. If it be true, that good wine needs no bush,' 'tis true, that a good play needs no epilogue: Yet to good wine they do use good bushes; and good plays prove the better by the help of good epilogues. What a case am I in then, that am neither a good epilogue, nor cannot insinuate with you in the behalf of a good play? I am not furnished like a beggar,3 therefore to beg will 1 To see no pastime, 1: &c.] Amidst this general festivity, the reader may be sorry to take his leave of Jaques, who appears to have no share in it, and remains behind unreconciled to society. He has, however, filled with a gloomy sensibility the space allotted to him in the play, and to the last preserves that respect which is due to him as a consistent character, and an amiable, though solitary moralist. It may be observed, with scarce less concern, that Shakspeare has, on this occasion, forgot old Adam, the servant of Orlando, whose fidelity should have entitled him to notice at the end of the piece, as well as to that happiness which he would naturally have found, in the return of fortune to his master. 2 -no bush,] It appears formerly to have been the custom to hang a tuft of ivy at the door of a vintner. The practice is still observed in Warwickshire and the adjoining counties, at statutehirings, wakes, &c. by people who sell ale at no other time. 3 furnished like a beggar,] That is, dressed: so before, he was furnished like a huntsman. |