1 I'd call them mountains, but can't call them so, III. The third Clafs remains, of the Diminishing Figures: And 1. the ANTICLIMAX, where the fecond line drops quite fhort of the firft, than which nothing creates greater surprize. On the extent of the British Arms. On a Warrior. And thou Dalhouffy the great God of War, On the Valour of the English. Nor Art nor Nature has the force At other times this figure operates in a larger extent; and when the gentle reader is in expectation of fome great image, he either finds it furprizingly imperfect, or is prefented with fomething low, or quite ridiculous. A furprize refembling that of a * Wall. 1 Апоп. m Denn. on Namur, i Anon. curious perfon in a cabinet of Antique Statues, who beholds on the Pedestal the names of Homer, or Cato; but looking up, finds Homer without a head, and nothing to be seen of Cato but his privy-member. Such are these lines of a Leviathan at fea. n His motion works, and beats the oozy mud, But perhaps even these are excelled by the enfuing. • Now the refifted flames and fiery flore, 2. The VULGAR, } is alfo a Species of the Diminishing: By this a spear fying into the air is compared to a boy whistling as he goes on an errand, Blackm. Job, p. 197. • Pr. Arthur. p. 157. P The mighty Stuffa threw a mafy Spear, Which, with its Errand pleas'd, fung thro' the air. A Man raging with grief to a Mastiff Dog: 9 I cannot ftifle this gigantic woe, Nor on my raging grief a muzzle throuv. And Clouds big with water to a woman in great neceffity: Diftended with,the Waters in 'em pent, The clouds hang deep in air, but hang unrent. 3. The INFANTINE. This is when a Poet grows fo very fimple, as to think and talk like a child. I fhall take my examples from the greatest Master in this way: Hear how the fondles, like a meer stammerer. Little Charm of placid mien, When the meadows next are feen, P. Pr. Arthur. Mifs Cuzzona. 9, Job, p. 41. Amb. Philips on Then the neck fo white and round, Happy thrice, and thrice agen, Happiest be of happy men, etc. and the rest of thofe excellent Lullabies of his compofition. How prettily he asks the sheep to teach him to bleat? Teach me to grieve with bleating moan, my sheep. Hear how a babe would reason, on his nurse's death: That ever she could die! Oh most unkind! With no lefs fimplicity does he fuppofe that shepherdeffes tear their hair and beat their breafts, at their own deaths: "Ye brighter maids, faint emblems of my fair, $ Philips's Paftorals. t. Ibid. u Ibid. 4. The INANITY, or NOTHINGNESS. Of this the fame author furnishes us with most beautiful inftances: y Ab filly I, more filly than my sheep, (Which on the flow'ry plain I once did keep.) Sipping dew, you fip, and fing. The Nove returning with returning Light, What did it? с Difpers'd the Silence, and difpell'd the Night. You eafily perceive the Nothingness of every fecond Verfe. The glories of proud London to furvey, The Sun bimfelf fhall rife—by break of day. The EXPLETIVE, admirably exemplified in the Epithets of many authors. Th' umbrageous fhadow, and the verdant green, y Ibid. z Phil. on Q. Mary. on a Grafhopper. Anon. a Ibid. d Autor. Vet. b T. Cook |