Theatres; an Architectural and Cultural HistoryPraeger Publishers, 1973 - 224 páginas |
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Página 97
... fire , but the auditorium should be of wood , ' the material from which we make musical instruments ' , for reasons of acoustics . His preferred plan is the semi - circle , since this was the shape favoured by the ancients , but he ...
... fire , but the auditorium should be of wood , ' the material from which we make musical instruments ' , for reasons of acoustics . His preferred plan is the semi - circle , since this was the shape favoured by the ancients , but he ...
Página 132
... fire . The ruins were incorporated into another theatre by the amateur engineer and architect N. W. Cundy , who modelled his interior on that of La Scala , Milan . It was later described as ' too large for any rational purpose ' . In ...
... fire . The ruins were incorporated into another theatre by the amateur engineer and architect N. W. Cundy , who modelled his interior on that of La Scala , Milan . It was later described as ' too large for any rational purpose ' . In ...
Página 184
... fire regulations , and inevitably these had a noticeable effect on design . There were three main aspects : first , the use of fire - proof materials , the cladding of iron in masonry , and the reduction of the use of wood ; secondly ...
... fire regulations , and inevitably these had a noticeable effect on design . There were three main aspects : first , the use of fire - proof materials , the cladding of iron in masonry , and the reduction of the use of wood ; secondly ...
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Palavras e frases frequentes
A. C. Cooper acoustics actors amphitheatre apron stage architect architectural audience auditorium Baroque Bayreuth Besançon Bibiena Bordeaux built ceiling centre century classical Cockpit-in-Court colonnade columns Comedy conventional court theatre courtesy Covent Garden curtain curved decoration dome doors drama Drury Lane entrance Epidauros exterior façade feet floor foyer front galleries Garnier grand staircase hall ideas interior Italian Italy later Ledoux London Louis Munich Neoclassicism Opéra opera house orchestra original painted palace Palladio Paris parterre performance periaktoi perspective scenery Photo pilasters play portico projecting proscenium arch public theatres rebuilt reconstruction Richard Southern Roman theatres roof round royal box Sabbioneta scaenae frons scaffolds scene scenery semi-circle semi-circular Semper shows side space spectators stage storey style survive Teatro Farnese Teatro Olimpico Théâtre theatre building theatre design Theatre Royal theatrical tiers of boxes vestibule Vicenza Vitruvius Wagner walls whole