Theatres; an Architectural and Cultural HistoryPraeger Publishers, 1973 - 224 páginas |
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Página 78
... style could be fitted between the columns . served a single purpose . This makes it difficult to judge . Baroque plays and operas taken on their own seem flimsy and artificial ; what is missing is the magic which came from the union of ...
... style could be fitted between the columns . served a single purpose . This makes it difficult to judge . Baroque plays and operas taken on their own seem flimsy and artificial ; what is missing is the magic which came from the union of ...
Página 108
... styles . The ceiling , painted by Durameau , is still entirely Rococo . The panels in the royal box , on the other ... style . The theatre was officially opened on 16 May 1770 with a banquet to celebrate the wedding . The next day its ...
... styles . The ceiling , painted by Durameau , is still entirely Rococo . The panels in the royal box , on the other ... style . The theatre was officially opened on 16 May 1770 with a banquet to celebrate the wedding . The next day its ...
Página 154
... style for theatre façades all over the world . One might have expected some relaxation , some concession to frivolity , some flirtation at least — in this age of ' the battle of the styles ' — with the exotic and the exciting ( the ...
... style for theatre façades all over the world . One might have expected some relaxation , some concession to frivolity , some flirtation at least — in this age of ' the battle of the styles ' — with the exotic and the exciting ( the ...
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A. C. Cooper acoustics actors amphitheatre apron stage architect architectural audience auditorium Baroque Bayreuth Besançon Bibiena Bordeaux built ceiling centre century classical Cockpit-in-Court colonnade columns Comedy conventional court theatre courtesy Covent Garden curtain curved decoration dome doors drama Drury Lane entrance Epidauros exterior façade feet floor foyer front galleries Garnier grand staircase hall ideas interior Italian Italy later Ledoux London Louis Munich Neoclassicism Opéra opera house orchestra original painted palace Palladio Paris parterre performance periaktoi perspective scenery Photo pilasters play portico projecting proscenium arch public theatres rebuilt reconstruction Richard Southern Roman theatres roof round royal box Sabbioneta scaenae frons scaffolds scene scenery semi-circle semi-circular Semper shows side space spectators stage storey style survive Teatro Farnese Teatro Olimpico Théâtre theatre building theatre design Theatre Royal theatrical tiers of boxes vestibule Vicenza Vitruvius Wagner walls whole