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· Canterbury," 99 (note).
Canute, King, 230.
Capell, 64.

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"Campbells are Comin', The," 334. Coperario, 147.
Canary, The, 139-140.
'Cordelia," 339.
"Coriolanus," 335-

"Cancan," Offenbach's, 285.

Act. v. Sc. 4, 29.
Cornemuse, The, 12.
Cornemute, The, 13.

Cornet, The, 13, 17-18, 36, 201,

Charles I., 176.

Charles II., 313.

Chaucer, 12, 36.

Chélard, Hippolyte, 337.

Chopin, 53.

Chorley, 337.

"Chronicle," Hall's, 147.
Cinque-pace, The, 134-136.

"Collection of National English
Airs," 60 (note), 74 (note).
Collier, 35, 64.
Collin, 335.

"Come away, Come away, Death,"

'Captain," 175 (note).
"Carmagnole," 233.

"Carman's Whistle, The," 76.
Carré, 340.
Chapman, 20.
Chappell, 60 (note), 74 (note), 192, Cowley, 171.

227 (note), 286, 297, 321.

Cromwell, 174.

"Crown Garland of Goulden
Roses," 276.

Cujus Animam," 285.

Cummings, 336.

190.

"Comedy of Errors," 333.
Act iii. Sc. 2, 163–164.

"Come live with me and be my
love," 304-309.

"Come o'er the Bourn, Bessie,"

Cinti, Miss, 337.

Cithron, The, 13.

Clapp, Henry Austin, 20-22.
Clavichord, The, 80, 81.

245-

"Come unto these yellow sands,”
314.

"Concerto Grosse, No. 7," Han-
del's, 142.

"Consort Lessons," 209.
"Constant Susanna," 206, 213,
215.

Contrabass, The, 26, 27, 53-
Cook, 20.

66

323-324.

Coranto, The, 134, 138, 140.
"Corydon's Farewell to Phillis,"
206.

66

Cymbal, The, 29.

Cymbeline," Act ii. Sc. 3, 54,
62, 227.

Act v. Sc. 3, 105.

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Dabadie, 337.
Dabadie, Mrs., 337.

Dallam, Thomas, 53.
"Das Liebesverbot," 332.

Coke, 20.

"Collection of English Songs," Davenant, Sir William, 336.
74 (note), 169.

Dekker, 20, 40.

“Deutermelia,” 182, 196–198.
Dérevis, 337.

"Diary," Manningham's, 209.
Disraeli, 14.
Doloony, 77.
Donizetti, 285.
Donne, 20.

Doppler, 313.
Dowced, The, 12.

Dowland, John, 56, 93 (and note).
Dowland, Robert, 93 (note).
Drayton, Michael, 13-14, 78, 171,

198.

"Drink to me only with thine
eyes," 298-299.

Drum, The, 29, 30, 31, 32, 201,
322.

"Du bist wie eine Blume," 310
(note).

"Ducdame," 62, 64–65.
Dulcimer, The, 12 (note), 29.
Dump, The, 67, 69–71, 83, 84,

142-144.
Dvorak, 143.

"Education," Spencer's Essay on,
94, 285.

Edward, King, 230.
Edward III., 105.

Edward VI., 57.

Edwards, Richard, 70–72.
Elderton, 286.

66

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24.

Essex, 39.

Este, T., 216.

Elegy," Gray's, 285.

Elizabeth, Queen, 41-44, 52, 56, Furness, 58 (note), 64, 114, 154,

314.

57, 70, 124, 174, 179, 200, 209,
241, 307, 327.

Ely, Bishop of, 89 (note).

167 (note), 183 (note), 208
(note), 223 (note), 253, 254,
311.
Furnivall, 53, 304, 306.
Fytton, Mrs., 38 (note).

64

England's Helicon," 305, 309.
Erasmus, 79.

Essayes" of Francis Bacon, 22—

"Euridice," 25 (note).

Evening Hymn, An," 107-109.

66

"Faerie Queene," 289.

Falstaff," 332, 340.

"Farewell to the Military Profes-

sion," 134.

Farmer, 64, 219.

Farrant, 56.

"Father Hubbard's Tales," 39.
"Faust," 330.
Ferrabosco, 147.
Field, 20.
Field, Miss, 234.
Fielding, 321.

Fife, The, 13, 29, 30-32, 145, 201.
First Booke of Ayres, The,"
216.

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46

First Psalm, Bacon's translation
of, 20-22.
Fitz-Stephen, 77.
Flageolet, The, 32.
Fletcher, 20, 56, 100, 110 (note),
173, 175 (note), 241, 243, 286,
304, 310.

Flute, The, 13, 17, 18, 25 (note),
26, 30, 32, 41, 74, 77, 324.
"Flying Fame," 261-268.
Ford, 20, 142.
Forde, 56.

"For He's a Jolly Good Fellow,"

233.

Forster, Mrs., 234.

"Fortune," 269.

Franz, Robert, 94, 330.

Fuchs, Reineke, 89.

Fuller, 107-109, 289.

"Full Fathoms Five," 187-189,

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Gibbons, Orlando, 56.
Gildon, 310.

"Heart's-ease," 67-69.

Heine, 310 (note), 330.
Henry III. of France, 58 (note).

Giovanni, Ser, 254.

"Gioventù di Enrico V., La," 335." Henry IV.," Part I., 199, 334,
Gittern, The, 13.
Goethe, 311, 330.

335.

Goetz, Hermann, 333.
Gosson, 173.
"Götterdämmerung," 325.
Gounod, 341, 343.

Grassineau, 12 (note), 29.
Gray, 285.

Greene, 20.

Greenhill, 304.
"Greensleeves," 284-287.
"Ground Bass," 115 (note).
Guarnerius, 26.

Guido of Arezzo, 81, 106.
Guitar, The, 25 (note), 45.

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318.

Act iii. Sc. 1, 326–327.

Act iii. Sc. 2, 32-33, 322.
Act iv. Sc. 5, 221, 233-244,

sic," 304.

Handel, 59 (note), 138, 142.
Hanmer, 62, 228.
"Hark! hark!

the lark,"

312-313.
Harp, The, 18, 28, 74, 155, 328.
Harpsichord, The, 25 (note).
Harrison, 304.

307.

Hay, Lord, 147.

Hay, The, 148, 149.
Haydn, 315.

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Hauptmann, 91.

Hautboy, The, 13, 29, 55, 81, 324.
"Have you not heard," 282-284.
Hawkins, Sir John, 210, 244, 286,

Acti. Sc. 1, 34; Act ii. Sc. 4,

52, 175.

Act iii. Sc. 1, 116–117, 155–

156.

Act iii. Sc. 2, 55.
Act v. Sc. 1, 340.

Henry IV.," Part II., 199, 334-
335-

214.

297.

Heywood, 20.

Hilton, 101, 223.

Act v. Sc. 1, 299-300.
"Handbook of Shakespeare Mu- "History of Music," III, 147,

179, 244.

Induction, 54.
Act ii. Sc. 1, 73.

Act ii. Sc. 4, 173, 296.

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Act. iii. Sc. 2, 76, 225-226.
Act v. Sc. 3, 276.

"Henry VI.," Part I., 331.
Act i. Sc. 1, 327.
Henry VII., 121.

Henry VIII., 57, 79, 89 (note),
145, 220.

Hentzner, P., 201 (note), 327.
Herbert, William, Earl of Pem-
broke, 38 (note), 91.
"Hermione," 333.
Herold, 335.

"Hey down a down," 206, 213-

History of the Gentle Craft," 77.
Hix, Auguste, 336-337-

228,"Hold Thy Peace," 205, 210-211.

Holinshed, 147.

Holmes, George, 176-177.
Hone, 105 (note).

Hood, Robin, 121, 122, 213.
Horace, 31.

Horn, 315.

Horn, The, 59, 141.

Hornpipe, The, 141-142, 149.
"How Should I Your True Lover
Know," 221, 234-238.
Hunsden, Lord, 41-42.
“Hunt's-up,” 116, 226–227.

"I Capuletti ed i Montecchi," 'King Henry VIII.," 328, 335.
Act i. Sc. 3, 29.
King John."

341.
"Imperfections of Modern Music,

The," 324.

Act. v. Sc. 7, 53-54.

"Introduction to the Skill of
Musick," 90, 98, 103, 109-110,
112-113.

" King Lear," 243-245, 261-268,
320-321.

Act i. Sc. 2, III, 115.

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Act ii. Sc. 1, 325.

Isle, Rouget de l', 336–337.
"Itinerarium," 201 (note).

Act ii. Sc. 4, 325.
Act iii. Sc. 6, 245.

Itinerary," 227, 327.

"It was a Lover and His Lass," "King Lear and His
191-193, 304.
Daughters," 262–268.
'King Richard II."
Act i. Sc. 3, 28.
Act ii. Sc. 1, 94-95.
Act ii. Sc. 5, 84 (note).
Act iii. Sc. 4, 138.
Act v. Sc. 5, 88.

'King Richard III.," 334.
King's College, 53.
Kit, The, 13.

"Jack, Boy, Ho! Boy!" 221.
Jaggard, William, 92, 304.
James I., 56, 57 (note).
Jameson, Mrs., 337.
Jig, The, 119, 121, 134, 135, 138–

141, 142.

"Jog on, jog on the foot-path way,"

247-248.

Johnson, Doctor, 156, 208, 225.
Johnson, Richard, 276, 314 (note).
Johnson, Robert, 147, 184-189.
Jones, Inigo, 147.
Jones, Robert, 216–219.
Jonson, Ben,

20, 52, 56, 110,
(note), 147, 171, 173, 298.
Jordan, Mrs., 234.
"Julius Cæsar."

Act i. Sc. 2, 156-157.
Act iv. Sc. 3, 51.
Act iv. Sc. 4, 16.

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Knight, 31, 64, 111, 158, 161, 207,
223, 235 (note), 240, 253, 311
(note).

"Kreutzer," 339.
"Kyng's Maske, The," 145-146.

"Lady Carey's Dump," 143.
Lamb, Charles, 156.
Laneham, 124.

Three

Laniere, Nic., 147.

"L'Anima e nel Corpo," 25 (note).
Lawes, Henry, 147.

Lawes, William, 147.

"Legend of Thomas Cromwell,
Earl of Essex," 198.

Kamarinskaia, The, 121.
Kelley, Edgar S., 336.
Kempe, Will, 69, 121-122, 322 Lessing, 311.

(note).

"Life of Purcell," 336.

Light o' Love," 97, 99–101, 140.
Linley, 234, 315.

Litchfield," 99.

"King Cophetua and the Beggar"

Maid," 275-281.

"King Harry the VIII's Pavyn,"

136-137.

"King Henry V.," 325.

Act i. Sc. 2, 95.
Act ii. Sc. 4, 124.

Act iii. Sc. 2, 54, 105.
Act iv. Sc. 2, 325-326.
Act iv. Sc. 8, 326.
Act v. Sc. 2, 82.

46

Locke, Matthew, 336.
Long Dance, The, 252.
"Lord Lovell," 233.

Lounsbury, T. R., 12 (note).
Loure, The, 138.

"Lover's Complaint, A," 290-296
"Love's Labour's Lost," 331.

Act i. Sc. 2, 275.

Act iii. Sc. 1, 139–140.
Act iv. Sc. 1, 280–281.
Act iv. Sc. 2, 114-115, 122-
123.

Act v. Sc. 1, 148.

Act v. Sc. 2, 104, 137-138.
"Loyal Subject, The," 286.
"Lucia di Lammermoor," 285.
Lute, The, 13, 15, 17, 18, 25 (note),
26, 34, 37, 43, 44-52, 54, 55, 69
(note), 71, 74, 80, 84, 85, 93,
109, 116.

"Lute-book," Ballet's, 241.
Lyly, 20, 289.
Lyre, The, 25 (note).

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Act i. Sc. 3, 240.
Act ii. Sc. 1, 284–285.
Act iii. Sc. 1, 305-306.
Act v. Sc. 5, 284.
Mersennus, 30, 324.
Middleton, 20, 39.
"Midsummer-Night's Dream, A,"

21, 333-334-
Act ii. Sc. 1, 163.
Act ii. Sc. 2, 133.

Act v. Sc. 1, 33-34, 328-329.
Act v. Sc. 2, 126.

Milton, 25 (note), 147.
Minuet, The, 136.
Mommsen, 311.

Monochord, The, 80, 81.
Moore, 342.

"Moral Plays," Skelton's, 172.
Morley, 56, 101, 102-104, 126,
156 (note), 203, 209.
"Morning Song," 226–227.
Morris-dance, The, 120-125, 139,
148, 149, 245-

Moryson, Fynes, 227.
Mozart, 92 (note), 299.

"Much Ado About Nothing,"
122, 133, 289, 339-

Act i. Sc. 1, 241.

Act ii. Sc. 1, 55, 65, 135, 139.
Act ii. Sc. 2, 150.

Act ii. Sc. 3, 31-33, 57-60,
118, 162-163.

Act iii. Sc. 2, 51.
Act iii. Sc. 4, 99-100, 140.
"Musa Madrigalesca," 124-125,

196.

"Musical Companion," 178-179,
223.

"Musical Illustrations of Ancient
English Poetry," 216, 269.
Musicians, Status of, 25, 57-76.
21,"My flocks feed not," 309.

Nash, 20.

"National Music," 286.

Naylor, Edward W., 30, 35. 73.
79, 143, 195-196, 253, 286.
"Nest of Ninnies, A," 35-
Nicolai, 332.

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