Chapman, 20. Carré, 340. Act. v. Sc. 4, 29. Cornemuse, The, 12. Cornemute, The, 13. Cornet, The, 13, 17-18, 36, 201, Coranto, The, 134, 138, 140. Corydon's Farewell to Phillis," Chappell, 60 (note), 74 (note), 192, Cowley, 171. 227 (note), 286, 297, 321. Charles I., 176. Charles II., 313. Chaucer, 12, 36. Chélard, Hippolyte, 337. "Chronicle," Hall's, 147. Cithron, The, 13. Clapp, Henry Austin, 20-22. Clavichord, The, 80, 81. Coke, 20. 74 (note), 169. Cromwell, 174. "Crown Garland of Goulden Roses," 276. "Cujus Animam," 285. Cummings, 336. Cymbal, The, 29. Cymbeline," Act ii. Sc. 3, 51, 62, 227. Act v. Sc. 3, 105. Dabadie, 337. Dallam, Thomas, 53. 66 Das Liebesverbot," 332. "Collection of English Songs," Davenant, Sir William, 336. Dekker, 20, 40. First Psalm, Bacon's translation Fletcher, 20, 56, 100, 110 (note), Flute, The, 13, 17, 18, 25 (note), "For He's a Jolly Good Fellow," Forster, Mrs., 234. 66 Fortune," 269. Franz, Robert, 94, 330. Fuller, 107-109, 289. "Full Fathoms Five," 187-189, Furness, 58 (note), 64, 114, 154, Gibbons, Orlando, 56. "Heart's-ease," 67-69. Gildon, 310. Giovanni, Ser, 254. Heine, 310 (note), 330. Henry III. of France, 58 (note). "Gioventù di Enrico V., La," 335. Henry IV.," Part I., 199, 334, Gittern, The, 13. 297. Act v. Sc. 1, 299-300. Handel, 59 (note), 138, 142. "Hark! hark! the lark," 228, Harp, The, 18, 28, 74, 155, 328. Hautboy, The, 13, 29, 55, 81, 324. 307. Hay, Lord, 147. Hay, The, 148, 149. "I Capuletti ed i Montecchi," | "King Henry VIII.,” 328, 335. 341. "Imperfections of Modern Music, "King John." The," 324. "Introduction to the Skill of Musick," 90, 98, 103, 109-110, " Act. v. Sc. 7, 53-54. 'King Lear," 243-245, 261-268, Act i. Sc. 2, III, 115. Act ii. Sc. 1, 325. Act ii. Sc. 4, 325. Act iii. Sc. 6, 245. "It was a Lover and His Lass," "King Lear and His Daughters," 262-268. 'King Richard III.," 334. Kit, The, 13. Three Knight, 31, 64, 111, 158, 161, 207, Kreutzer," 339. "Kyng's Maske, The," 145-146. "Lady Carey's Dump," 143. Laneham, 124. Laniere, Nic., 147. "L'Anima e nel Corpo," 25 (note). Act i. Sc. 2, 156-157. Act iv. Sc. 4, 16. Lawes, Henry, 147. Lawes, William, 147. "Legend of Thomas Cromwell, Kelley, Edgar S., 336. (note). Kamarinskaia, The, 121. Earl of Essex," 198. Kempe, Will, 69, 121-122, 322 Lessing, 311. "Life of Purcell," 336. "King Cophetua and the Beggar" Light o' Love," 97, 99-101, 140. Maid," 275-281. "King Harry the VIII's Pavyn," "King Henry V.,” 325. Act i. Sc. 2, 95. Act ii. Sc. 4, 124. Linley, 234, 315. "Litchfield," 99. Locke, Matthew, 336. Long Dance, The, 252. "Lord Lovell," 233. Lounsbury, T. R., 12 (note). "Lover's Complaint, A," 290-296 Act i. Sc. 2, 275. Act iii. Sc. 1, 139–140. Act iv. Sc. 1, 280–281. Act iv. Sc. 2, 114-115, 122- Act v. Sc. 1, 148. Act v. Sc. 2, 104, 137-138. Loyal Subject, The," 286. "Lute-book," Ballet's, 241. Lyre, The, 25 (note). “Macbeth," 314, 335-338. Malmesbury, William of, 230. Martin, Humphrey, 124. Mazurka, The, 120. Measure, The, 135, 136, 137–138. Act ii. Sc. 1, 175. Act iv. Sc. 1, 166-167, 310. Act i. Sc. 3, 240. Act ii. Sc. 1, 163. Act v. Sc. 1, 33-34, 328-329. Milton, 25 (note), 147. Monochord, The, 80, 81. "Moral Plays," Skelton's, 172. Moryson, Fynes, 227. 122, 133, 289, 339. Act i. Sc. 1, 241. Act ii. Sc. 1, 55, 65, 135, 139. Act ii. Sc. 3, 31-33, 57–60, Act iii. Sc. 2, 51. Act iii. Sc. 4, 99-100, 140. "Musical Companion," 178-179, 223. "Musical Illustrations of Ancient Act . Sc. 5, 30, 145. Nash, 20. "National Music," 286. |