Shakespeare in Music: A Collation of the Chief Musical Allusions in the Plays of Shakespeare, with an Attempt at Their Explanation and Derivation, Together with Much of the Original MusicL.C. Page, 1901 - 344 páginas |
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Página 10
... Italy ( 1594-1600 ) and new combinations of instru- ments began . But the influence of the new school was not felt in England during the lifetime of Shake- speare . Nevertheless , England had been accustomed to combinations of musical ...
... Italy ( 1594-1600 ) and new combinations of instru- ments began . But the influence of the new school was not felt in England during the lifetime of Shake- speare . Nevertheless , England had been accustomed to combinations of musical ...
Página 25
... Italian development of orchestra , ' it possessed a fair knowledge of concerted music , and used combinations of instruments . These combinations were called " consorts . " Shakespeare alludes to them in " Romeo and Juliet , " when ...
... Italian development of orchestra , ' it possessed a fair knowledge of concerted music , and used combinations of instruments . These combinations were called " consorts . " Shakespeare alludes to them in " Romeo and Juliet , " when ...
Página 26
... Italy , or elsewhere . The " consorts " of Shakespeare's time were not only concerted music , but generally composed of such instruments as belonged to one family . If , for example , only viols were employed , the consort was called ...
... Italy , or elsewhere . The " consorts " of Shakespeare's time were not only concerted music , but generally composed of such instruments as belonged to one family . If , for example , only viols were employed , the consort was called ...
Página 18
... Italy, or elsewhere. The " consorts " of Shakespeare's time were not only concerted music, but generally composed of such instruments as belonged to one family. If, for example, only viols were employed, the consort was called "whole ...
... Italy, or elsewhere. The " consorts " of Shakespeare's time were not only concerted music, but generally composed of such instruments as belonged to one family. If, for example, only viols were employed, the consort was called "whole ...
Página 34
... Italy there is a bagpipe called " zumpogna , " an evi- dent derivation from the Greek sumphonia , would indicate that the Hellenic music , which is so ecstat- ically praised by the ancient writers , may have pos- sessed the bagpipe ...
... Italy there is a bagpipe called " zumpogna , " an evi- dent derivation from the Greek sumphonia , would indicate that the Hellenic music , which is so ecstat- ically praised by the ancient writers , may have pos- sessed the bagpipe ...
Outras edições - Ver tudo
Shakespeare in Music: A Collation of the Chief Musical Allusions in the ... Louis Charles Elson Visualização integral - 1901 |
Shakespeare in Music: A Collation of the Chief Musical Allusions in the ... Louis Charles Elson Visualização integral - 1914 |
Shakespeare in Music: A Collation of the Chief Musical Allusions in the ... Louis Charles Elson Visualização integral - 1914 |
Palavras e frases frequentes
allusions Autolycus Backe and syde bagpipe ballad Caliban called catch century chapter Clown composer cresc dance daughter delight descant ding a ding Ding-dong doth Duke dump Elizabethan England epoch example fool Freemen's songs Gernutus give greene willow Hamlet Hark harmony hath hear heart Henry Henry Purcell Hortensio instrument Jaques Julia King Lear lady live lord Love's Labour's Lost lover Lucentio Lucetta lute maid Malvolio masque means melody Merchant of Venice merry Michael Drayton mirth morris-dance musician never opera Ophelia pipe play poem poet probably Purcell Queen quoted quoth refrain Richard Grant White Romeo and Juliet scene Shake Shakespeare Shakespearian sing singer Sir Andrew Sir Toby sonnes sound speaks Steevens Stephano strings sung sweet syde go tavern Tempest thee thou trumpets tune Twelfth Night viols vocal voice willow words
Passagens conhecidas
Página 191 - It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding : Sweet lovers love the spring.
Página 157 - Would he were fatter: — But I fear him not. Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men...
Página 327 - The glass of fashion and the mould of form, The observed of all observers, quite, quite down ! And I, of ladies most deject and wretched, That suck'd the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh...
Página 152 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins: Such harmony is in immortal souls; But, whilst this muddy vesture of decay Doth grossly close it in, we...
Página 92 - But here is the finger of God, a flash of the will that can, Existent behind all laws, that made them and, lo, they are! And I know not if, save in this, such gift be allowed to man, That out of three sounds he frame, not a fourth sound, but a star.
Página 160 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
Página 183 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Página 86 - The heaven such grace did lend her, That she might admired be. Is she kind, as she is fair, For beauty lives with kindness f Love doth to her eyes repair, To help him of his blindness ; And, being helpd, inhabits there.
Página 39 - How oft, when thou, my music, music play'st, Upon that blessed wood whose motion sounds With thy sweet fingers, when thou gently sway'st The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap To kiss the tender inward of thy hand, Whilst my poor lips, which should that harvest reap, At the wood's boldness by thee blushing stand To be so tickled, they would change their state And situation with those dancing chips, O'er whom thy fingers walk with gentle gait, Making dead...
Página 227 - Phoebus gins arise, His steeds to water at those springs On chalic'd flowers that lies ; And winking Mary-buds begin To ope their golden eyes : With every thing that pretty is, My lady sweet arise ; Arise, arise ! Clo.