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PRINCIPAL PAINTER TO HIS MAJESTY.
Once I beheld the fairest of her kind,
And still the sweet idea charms my mind :
True, she was dumb; for Nature gazed so long,
Pleased with her work, that she forgot her tongue;
But, smiling, said, 'She still shall gain the prize;
I only have transferr'd it to her eyes.'
Such are thy pictures, Kneller ! such thy skill,
That Nature seems obedient to thy will;
Comes out, and meets thy pencil in the draught;
Lives there, and wants but words to speak her
At least, thy pictures look a voice, and we
Imagine sounds; deceived to that degree,
We think ’tis somewhat more than just to see.
Shadows are but privations of the light,
Yet, when we walk, they shoot before the sight;
With us approach, retire, arise, and fall;
Nothing themselves, and yet expressing all.
Such are thy pieces, imitating life
So near, they almost conquer in the strife;
And from their animated canvass came,
Demanding souls, and loosen'd from the frame.
Prometheus, were he here, would cast away
His Adam, and refuse a soul to clay;
And either would thy nobler work inspire,
Or think it warm enough without his fire.
But vulgar hands may vulgar likeness raise; This is the least attendant on thy praise: . From hence the rudiments of Art began; A coal, or chalk, first imitated man: Perhaps the shadow, taken on a wall, Gave outlines to the rude originalEre canvass yet was stain'd, before the grace Of blended colours found their use and place, Or cypress tablets first received a face.
By slow degrees the godlike Art advanced ; As man grew polish'd, picture was enhanced : Greece added posture, shade, and perspective, And then the mimic-piece began to live. Yet perspective was lame, no distance true, But all came forward in one common view : No point of light was kuown, no bounds of art; When light was'there, it knew not to depart; But glaring, on remoter objects play'd, . Not languish'd, and insensibly decay'd.
Rome raised uot Art, but barely kept alive, And with old Greece unequally did strive; Till Goths and Vandals, a rude porthern race, Did all the matchless monuments deface : Then all the Muses in one ruin lie, And rhyme began to enervate poetry. Thus, in a stupid military state, The pen and pencil find an equal fate: Flat faces, such as would disgrace a screen, Such as in Bantam's embassy were seen, Unraised, unrounded, were the rude delight Of brutal nations, only born to fight.
Long time the Sister Arts, in iron sleep, A heavy sabbath did supinely keep;
At length, in Raphael's age, at once they rise,
Stretch all their limbs, and open all their eyes.
Thence rose the Roman and the Lombard line;
One colour'd best, and one did best design.
Raphael's, like Homer's, was the nobler part;
But Titian's painting look'd like Virgil's art.
Thy genius gives thee both: where true design, Postures unforced, and lively colours join, Likeness is ever there; but still the best, Like proper thoughts in lofty language dress'd; Where light, to shades descending, plays, not strives, Dies by degrees, and by degrees revives. Of various parts a perfect whole is wrought: Thy pictures think, and we divine their thought.
Shakspeare! thy gift I place before my sight;
With awe I ask his blessing ere I write;
With reverence look on his majestic face,
Proud to be less, but of his godlike race.
His soul inspires me while thy praise I write,
And I, like Teucer, under Ajax fight:
Bids thee, through me, be bold; with dauntless.
Contemn the bad, and emulate the best.
Like his, thy critics in the attempt are lost;
When most they rail, know, then they envy most.
In vain they snarl aloof; a noisy crowd,
Like women's anger, impotent and loud.
While they their barren industry deplore,
Pass on secure, and mind the goal before.
Old as she is, my Muse shall march behind,
Bear off the blast, and intercept the wind.
Our arts are sisters, though not twins in birth;
For hymns were sung in Eden's happy earth:
But, 0, the painter-muse, though last in place,
Has seized the blessing first, like Jacob's race.
Apelles' art an Alexander found,
And Raphael did with Leo's gold abound,
But Homer was with barren laurel crown'd.
Thou hadst thy Charles awhile, and so had I;
But pass we that unpleasing image by.
Rich in thyself, and of thyself divine,
All pilgrims come and offer at thy shrine.
A graceful truth thy pencil can command;
The fair themselves go mended from thy hand :
Likeness appears in every lineament;
But likeness in thy work is eloqueut.
Though Nature there her true resemblance bears,
A nobler beauty in thy piece appears.
So warm thy work, so glows the generous frame,
Flesh looks less living in the lovely dame:
Thou paint'st as we describe, improving still,
When on wild Nature we engraft our skill,
But not creating beauties at our will.
But poets are confined, in narrower space,
To speak the language of their native place :
The painter widely stretches his command;
Thy pencil speaks the tongue of every land.
From hence, my friend ! all climates are your own,
Nor can you forfeit, for you hold of none.
All nations all immunities will give
To make you theirs, where'er you please to live ;
And not seven cities, but the world, would strive.
Sure some propitious planet then did smile, When first you were conducted to this isle : Our Genius brought you here, to enlarge our fame; For your good stars are every where the same.
Thy matchless hand, of every region free,
Adopts our climate, pot our climate thee.
Great Rome and Venice early did impart
To thee the examples of their wondrous art.
Those masters then, but seen, not understood,
With generous emulation fired thy blood :
For what, in Nature's dawn, the child admired,
The youth endeavour'd, and the man acquired.
If yet thou hast not reach'd their high degree, 'Tis only wanting to this age, not thee. Thy genius, bounded by the times, like mine, Drudges on petty draughts, nor dares design A more exalted work, and more divine. For what a song, or senseless opera, Is to the living labour of a play; Or what a play to Virgil's work would beSuch is a single piece to History.
But we, who life bestow, ourselves must live :
Kings cannot reign, unless their subjects give;
And they who pay the taxes bear the rule :
Thus thou, sometimes, art forced to draw a fool;
But so his follies in thy posture sink,
The senseless idiot seems at last to think.
Good Heaven ! that sots and knaves should be
To wish their vile resemblance may remain ;
And stand recorded, at their own request,
To future days, a libel or a jest !
Else should we see your uoble pencil trace
Our unities of action, time, and place;
A whole composed of parts, and those the best,
With every various character express'd :
Heroes at large, and at a nearer view;
Less, and at distance, an ignobler crew ; .