MacbethManchester University Press, 1992 - 162 páginas In this analysis of 'Macbeth' in performance, the author examines major productions of the play on both stage and screen, from the earliest performances by Garrick and Siddons through to Trevor Nunn's 1976 production. She invites the reader to reconsider the possibilities of the drama. |
Índice
Davenant and Betterton | 18 |
Chapter II | 40 |
Eric Porter and Janet Suzman directed by John Corrie | 64 |
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ambition appear audience audience's banquet scene Banquo beginning Bell Betterton blood camera castle cauldron scene character characterisation chiasmus closeup costumes crown dagger Davenant death director Dommett Donalbain dramatic Duncan's murder effect Evans evil face fear film film's Fleance Folio Garrick gentlewoman gesture ghost grooms hands Hecate I.iii I.vii Ian McKellen III.vi images interpretation IV.i Jane Lapotaire Janet Suzman Judi Dench Judith Anderson Judith Harte kill Duncan king Lady Macbeth Lady Macduff Laurence Olivier Lenox lines look Macbeth and Banquo Macbeth and Lady Malcolm McKellen mind move nature Nicol Williamson Nunn's Olivier's Orson performance play's Polanski Porter promptbook prophecy remorse reviewers robe role Rosse says Schaefer Scotland seems setting Seyton Shakespeare Shaw Siddons sleepwalking sleepwalking scene society soliloquy speech stage production Stratford-upon-Avon supernatural television thanes Theatre theatrical thought three witches throne tion tone Trevor Nunn violence Vivien Leigh voice Voodoo Welles's wife women