Shakespeare, the Man and His Works: Being All the Subject Matter about Shakespeare Contained in Moulton's Library of Literary CriticismSibley, 1904 - 366 páginas |
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Página 39
... allusions , and in its perfect metre and harmony , that I would gladly have the fullest illustration yet attainable . I consider this piece a good example of the rule THE PHOENIX AND THE TURTLE . 39 The Phoenix and the Turtle.
... allusions , and in its perfect metre and harmony , that I would gladly have the fullest illustration yet attainable . I consider this piece a good example of the rule THE PHOENIX AND THE TURTLE . 39 The Phoenix and the Turtle.
Página 64
... perfect work . SWINBURNE , ALGERNON CHARLES , 1880 , A Study of Shakespeare , p . 49 . In no other of his works has Shakespeare more bril- liantly shown that complete dominance of theme which is manifested in the perfect preservation of ...
... perfect work . SWINBURNE , ALGERNON CHARLES , 1880 , A Study of Shakespeare , p . 49 . In no other of his works has Shakespeare more bril- liantly shown that complete dominance of theme which is manifested in the perfect preservation of ...
Página 66
... perfect Shakespeare ever produced . It is Spenser's fairy - poetry developed and condensed ; it is Shelley's spirit - poetry anticipated by more than two centuries . And the airy dream is shot with whimsical parody . The frontiers of ...
... perfect Shakespeare ever produced . It is Spenser's fairy - poetry developed and condensed ; it is Shelley's spirit - poetry anticipated by more than two centuries . And the airy dream is shot with whimsical parody . The frontiers of ...
Página 70
... perfect unity and keeping the composition of this beautiful sketch may perhaps be said to mark a stage of advance , a new point of work attained , a faint but sensible change of manner , signalised by increased firmness of hand and ...
... perfect unity and keeping the composition of this beautiful sketch may perhaps be said to mark a stage of advance , a new point of work attained , a faint but sensible change of manner , signalised by increased firmness of hand and ...
Página 80
... perfect and pure expression ; and these two are writ- ten in blank verse of equable and blameless melody . Out- side the garden scene in the second act and the balcony scene in the third , there is much that is fanciful and grace- ful ...
... perfect and pure expression ; and these two are writ- ten in blank verse of equable and blameless melody . Out- side the garden scene in the second act and the balcony scene in the third , there is much that is fanciful and grace- ful ...
Outras edições - Ver tudo
Shakespeare, the Man and His Works; Being All the Subject Matter about ... Charles Wells 1859-1913 Libra Moulton Pré-visualização indisponível - 2016 |
SHAKESPEARE THE MAN & HIS WORK Charles Wells 1859-1913 Libra Moulton Pré-visualização indisponível - 2016 |
Shakespeare, the Man and His Works: Being All the Subject Matter about ... Charles Wells Moulton Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
admirable Adonis ALGERNON CHARLES ANNA BROWNELL appear Bacon beauty Characters of Shakespear's COLERIDGE comedy comic conceive Coriolanus Cressida Critical Study drama dramatist EDITION English Literature excellent expression Falstaff fancy feel genius GEORGE grace Hamlet hath HAZLITT heart Henry History honour human humour Iago imagination intellectual JOHN JOHNSON Julius Cæsar King Lear language less Lord Love's Labour's Lost Macbeth mind moral nature never night noble Observations on Shakspeare's Othello passages passion perfect perhaps piece poem poet poet's poetic poetry praise Richard Richard III Romeo and Juliet SAMUEL scenes seems Shak Shake Shakspeare's Plays Sonnets soul speare speare's spirit stage Study of Shakespeare style sublime SWINBURNE tender thing THOMAS thou thought Timon of Athens tion Titus Andronicus touch tragedy tragic Troilus and Cressida truth UNIV Venus and Adonis verse whole William Shakespeare woman writings written youth
Passagens conhecidas
Página 278 - The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Página 57 - Rain influence, and judge the prize Of wit, or arms, while both contend To win her grace, whom all commend. There let Hymen oft appear In saffron robe, with taper clear, And pomp, and feast, and revelry, With mask, and antique pageantry, Such sights as youthful poets dream On summer eves by haunted stream.
Página 314 - SHAKESPEARE Others abide our question. Thou art free. We ask and ask — Thou smilest and art still, Out-topping knowledge. For the loftiest hill, Who to the stars uncrowns his majesty, Planting his steadfast footsteps in the sea, Making the heaven of heavens his dwellingplace, Spares but the cloudy border of his base To the...
Página 291 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy! This can unlock the gates of Joy; Of Horror that, and thrilling Fears, Or ope the sacred source of sympathetic Tears.
Página 90 - I shall despair. — There is no creature loves me ; And, if I die, no soul will pity me : — Nay, wherefore should they ? since that I myself Find in myself no pity to myself.
Página 279 - ... ordain'd otherwise, and he by death departed from that right, we pray you do not envie his friends the office of their care and paine...
Página 278 - To whom all scenes of Europe homage owe. He was not of an age, but for all time! And all the Muses still were in their prime, When, like Apollo, he came forth to warm Our ears, or like a Mercury to charm! Nature herself was proud of his designs And joyed to wear the dressing of his lines!
Página 276 - And he, the man whom Nature selfe had made To mock her selfe, and Truth to imitate, With kindly counter under Mimick shade, Our pleasant Willy, ah ! is dead of late : With whom all joy and jolly meriment Is also deaded, and in dolour drent.
Página 207 - Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume.
Página 276 - As the soul of Euphorbus was thought to live in Pythagoras: so the sweet witty soul of Ovid lives in mellifluous and honey-tongued Shakespeare, witness his Venus and Adonis, his Lucrece, his sugared Sonnets among his private friends, fyc.