Artist's purpose, How to ascertain, | "Black letter " type, 439
6, 10; purely artistic, not often Blacksmith's work in metal, 182
moral nor social, 9, 642
Blind Stamping in color Printing
Artistic conventions in sculpture, 59
(Japanese), 462
Artistic Ideas, Nature of, 3
Artistic splendor in cities of an-
tiquity, Influence of on fortunes of
the Roman Empire, 174, 175
Artistic Thought, Methods of con-
veying, 3; method of conveying
in the Arts of Design, 4; method of
conveying in Music, 4; expressable
by the fingers, 5; may arise even
while the hand expresses it, 5
Arts, Decorative, 644; Manual, 644.
Assyrian Art and Industries, 50,
Baked clay in building, 68; antiquity
of work in, 109; Durability of,
preserves many specimens of early
work, 109, 111; modelling in
(see Pottery)
Blind Tooling, Definition of, 196
note; in leather work, 199
"Boiled leather" (see Cuir bouilli)
Bombasted, Definition of, 626 note
Bonnet, Silk, 627
Book-binding; charm of material in,
192, 193; in leather, 192
ff.;
Mo-
rocco for, 192; Vellum for, 192;
arms of owners stamped upon,
193; Pigskin for, 199; Stamped
with engraved stamps, 199; Inlaid,
338
Books, early illustrated, 453; of
Hours (Hora), 454; of the Poor
(see Biblia Pauperum)
Boston Library, Mural paintings in,
Boucher, painter, 86
Boulevard of modern French cities,
Boulle work a form of inlay, 337
Braces, in building, 271
Bramante, architect and painter, 498
Ballet, most artistic stage-presenta- Brides in lace work, 234, 255
Bark cloth, Printing on, 18, 28, 460
Barrias, Sculptor, 504
Bas-reliefs, in leather work, 201; in
plaster in Imperial Roman build-
ings, 286, 287
Basse lisse process in weaving, 231
Batalha, Convent of, Portugal, 53
Baths of Stabii, at Pompeii, 286;
of Caracalla, Rome, 349
Beham, Barthel, engraver, 383
Bell, in architecture, Definition of,
396 note
Bellarmine jugs, 119
Biblia Pauperum, 377
Biscuit (Porcelaneous); Definition of,
120 note; Modelling in (see Pottery)
Broché surface in weaving, 226
Bronze carved in Japan, 54; finish of,
after casting, 179
Bronze, Reproductions, 168; Prepa-
ration of model the artist's chief
work in, 177, 178; Retouched
by the sculptor, 465
Bronzes; Antique, copying of, 60;
once numerous, 170, 171; Loss
of, 172 ff.
Bronzes as ornaments on furniture,
Bronzes, found at Herculaneum, 173,
174; found at Pompeii, 173, 174;
important for study of antique art,
176; in Naples Museum, 176;
Coloring of, 177
Building, method and materials of Capitoline Museum, Art works in,
primitive times, 23 ff.; Definition
of, 261 note; Processes of, 270 ff.;
Egyptian, 277; Examples of con-
sistent, 277; Greek, 277; of Mid-
dle Ages, 277; Roman system of,
278; Wooden, in U. S., 278;
Complexity of Modern, 569;
Commercial purpose an obstacle to
artistic result in modern, 570
Buildings, early color decoration of,
23; Plans of, simple and complex,
266
Burin, Definition of, 381 note
Burin engraving, Etching for, 381
Burin work, Shortcomings of, 387
"Burr" in dry-point work, 389
Busts and statues in Naples Museum,
61, 173 ff., 499, 501
Buttress, Flying, in Gothic architec-
ture (see Gothic architecture)
Caligraphy combined with printing, Cascades, 597
Cameo cut in layers of different colors, Cast iron work, 165
Cast shadows in painting, 412
Casting in metal work, 54, 167, 177
Casts of plaster from sculptors' models,
292, 464
Cathedral at Chartres, 556
Cathedral at Florence, 263; Cathe-
dral of Sebenico in Dalmatia, 263
Cathedral at Lucca in Tuscany,
Porch of, 332
Cameo-cutting (see Glass)
Cameo work in stone, 53; in Na-
tional Library, Paris, 434; cutting
on large scale; its peculiarities,
434; extended in gold work, 435;
work in glass, 53, 436 ff.; cutting,
a branch of sculpture, 500
Cameos, materials in which cut, 431;
Polychromatic effects in, 431-434;
in Art History Museum, Vienna, 355
Austria, 433, 435; Large, antique | Cathedral of Reims, Frieze in, 397;
Roman, 433
Cathedral at Monreale, Mosaics in,
Candelabrum, Definition of, 580 note Cathedral of Siena, in Tuscany, 315
Cellini, Benvenuto, sculptor, 435
Cement in plastering, Hard, 291; Cinerary, Definition of, 138 note
Chalcographie du Louvre, Engraved Cloak Greek, or diplax, 623, 624
plates issued by, 388
Chalk drawing, 100
Chalk drawings, Portraits in, 103
Champ in lace, 208
Chapel of the Sorbonne, Paris, 277
Charcoal drawing, 100; Charcoal
drawing for painting, 535
Charge, in heraldry, Definition of,
Clodion, sculptor, 67
Cloisons in enamel work, 151
Cloister of S. Giovanni in Laterano in
Rome, 357
Cloth of Gold, 225
Coins, in metal work, 166; Value in
study of, 416, 417; struck from
dies, 428
Colbert, French statesman, 623, 652
Chasing, in metal work, 54, 180; Collars of 16th century, 60
in jeweler's work, 189
Chasing tool in embossing, 73
Château d'Eau, 597, 603
Château de Cadillac, Panels in, 402
Château of Josselin, 557
Château of Maisons-Laffitte, 558 ff.
Chaton, Definition of, 186 note
Chests, Bridal (see Cassoni); of early
times, 301 ff.; Carved, 302; of
Renaissance, 303; Painted, 305;
Inlaid, 305
Chimneys, their decorative effect,
267, 269
Chiton in Greek Costume, 621
Chisel, Definition of, 51 note; in
metal work, 55
Cologne Ware, 119
Colombe, Michel, sculptor, 498
Color, as decoration of primitive build-
ings, 23, 24; used in architec-
ture, 79, 506, 551; Preparation of
for flat work, 81; remarkable beauty
of, in Persian enamel wares, 128;
combination of, in flat painting,
394 ff.; affected by proximity of
other colors, 395; Superimposing
of, 402; Local, Definition of, 511
note; dried with an edge, 512;
Loaded, in water-color, 515, 516;
opaque and transparent, 531, 532;
Importance of in a room, 575 ff.
Colored lights, Decorative, 609 ff.
Choir and hall screens of Tudor Colored material in sculpture, 498 ff.,
504; material combined with white
for busts, 499
Coloring of metals, 190, 191
Colorist and draughtsman differenti-
ated, 525
Colors, Little variety in early times, 23,
24; Superimposing of, 394, 397,
398; Soft or delicate, in painting,
526; Primary, Chinese use of, 527
Columns, Prominence of in Doric
temples, 548, 549
Corbelled construction, 271, 273
Cordier, Henri Joseph Charles, sculp-
Cordons in lace work, 254, 258
Corot, Camille, painter, 543
Correggio, painter, 83
Corset of 16th century, 629
Costume, Radical changes in, 613-
616; Representations of on the
stage, 614; Greek, 614, 621 ff.;
Display of wealth in, 615; Need
of warmth interferes with beauty of
lines, 615; Skirt dancers, 615;
Technical side of, 616; Nature
of Beauty in, 617; should be tight
or in drapery, 617; Decadence of,
619; Roman, 621; Similarity of
men's and women's among the
Greeks, 624; Greek, nobility of,
625; under Valois kings, 625;
of 1594-1610, 625; for men, early
17th century, 626; 16th century,
625, 626, 627, 628, 631; Henri
IV, 629; Greek and mediæval
contrasted, 632, 633; Difficulty of
Study of, 633
Couching in embroidery, 240, 241,
243
Counterchanging, Definition of, 337
note; in Boulle work, Process of,
337
Country houses of America, Gardens
"Dancer," Naples Museum, 490
Dancing, Artistic and for the dancer's
pleasure compared, 639; European,
639; of courtly times, 639; of the
Levant, 639; of the Pacific Islands,
639; of Far East, 640; of Moham-
medan East, 640; neither decora-
tive nor representative art, 644
Daumier, illustrator, 104
Décolletage, Modern, 619, 620
Decoration with fresh flowers, 578;
of the city for festal occasions,
604 ff.; by Artificial Light, 607
Decorative Art, Definition of, 13
note; effects in plastering, 289,
Decorator, House, Work of, 582,
583
Delacroix, Eugène, painter, 83
Court of Honor, Chicago Exposition, Della Robbia, Luca, 505
Cover lining in book-binding, 199
Crayon, Definition of, 103 note
Crayon-powder in drawing, 103
Crochet-work, 207
Depressions in leather work, 200
Desgoffe, Blaise, painter, 642
Design, Growth of, slow, 18; The
Rendering of, in textiles, 211
Dexileos, Relief of, 623
Croscombe Church, choir screen of, " Diamond dust in gem cutting, 424
"Diamond-point gems, 425, 426
Cruikshank, George, illustrator, 104, Diane de Gabies, Statue of, 622
Cuir bouilli, 200
Curbully (see Cuir bouilli)
Diaper pattern, Definition of, 19 note
Die-sinking, 72; and gem engraving
compared, 417
Die and intaglio compared, 418
Diplax or outer cloak, 623
Dipteral, Definition of, 550 note
Distemper, Definition of, 81 note;
in flat painting, 81; Process of
painting in, 517
Door, 12th century, not framed, 299
Doric temples, Plan of, almost un-
varying, 548; Mode of Construct-
ing, 550; Non-Constructional re-
finements of, 551
Dormer Windows; their decorative
effect, 267 ff.
Doublure (see Cover lining)
Dowelling in joinery, 300
Downing, A. J., landscape gardener,
594
Dry-point, work in engraving, 381;
and etching compared, 389; Def-
inition of, 389 note; Process of,
389; engraving, Printing from,
456
Dürer, Albert, engraver, 377, 383
Dyeing, Definition of, 91 note; me-
chanical process of, 91; in carpet
weaving, 96
EARTHENWARE (see Baked
clay, see also Pottery)
Egg-and-dart pattern, 498; Definition
of, 401 note
Egyptian Art and Industries, 25, 41,
49, 53, 134, 148, 206, 237, 348,
361, 392 ff., 475, 498, 547
Draped figures drawn nude and then Electric illumination at Paris exhibi-
Draughting, Skill in, 535
Drawing, Primitive, 17 ff., 20-23, 28;
as step to other artistic work, 97;
Definition of, 97, 99 notes; and
painting compared; in one color,
98; and Engraving compared,
100; Reversed, for printing, 101;
Reversed, how made, 102; Skill
required in for flat painting, 403 ff.;
in the flat and in gradation differ-
entiated, 405; Shading in, 522;
of Japanese in few strokes, 537;
for photographic reproduction (see
Photographic reproduction)
Drawings as models for carving, 56;
of things seen or imagined, 98;
of the Renaissance, 103 ff.; for
book illustrations, 104, 105;
memoranda, confused with artistic
work, 104
Electric Tower, Buffalo Exposition,
Eleusis relief in Athens Museum,
Copy of, 420
Émail Cloisonné, 158
Emblazoning, in Heraldry, 412
Embossing, Definition of, 63 note
Embroidered garments difficult
cleanse, 250
Embroidery, antique, Loss of, 237;
Earliest specimens of, 238; East
Indian, 238; Middle Ages espe-
cially favorable to work in, 238,
239; Moslem, 238; Persian, 238;
Simple appliances for, 239; Eng-
lish medieval, 247, 248; Repre-
sentation of natural objects in, 247,
248; Oriental, 248; Durability of
Eastern, 250, 251; Chinese, 250;
Japanese, 251, 252; in costume,
626, 628, 632; may be a repre-
sentative art, 643
Emericus, John, printer, 455
Emery in gem cutting, 424
Enamel, on Persian Wares, 128; Sur-
faces of, 151 ff.; Painted, 152;
Drawn work, 254
Drier in painting, Definition of, 84
note; Use of in oil painting, 84
Drill, in carving, 53; in gem en-
graving, 422; Revolving, in gem
cutting, 424; marks in gems, 425
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