Eve, Clovis, book-binder, 195
Exterior decoration in plastering, 292
Decoration by, 152; Painted sur- | Étui, Definition of, 199 note
face, use of for decorative objects, Evans, Lady, writer on Greek cos-
153; Limoges, 153, 154, 155;
Translucent, 153; Distinguished
from Porcelain, 155; Champlevé,
156, 157; Fitness of, for minute
decorative work, 157; Varieties
of, 157, 158, 160; in liturgical
metal work, 158; Cloisonné, 158,
159; for book covers and plaques,
160; used as inlay, 340 ff.;
(opaque glaze) on ceramic ware (see
Glaze); painting of Ceramic ware
(see Overglaze)
Enamelling, Definition of, 149 note;
on glass, metal, and pottery com-
pared, 150
Encaustic painting, Definition of, 502
Encrusted, Definition of, 149 note
Engraved gem, how far a complete
work of Art, 420
Engraved metal plates, Oriental, 3 7 2 ff.;
printing from, 456, 457
"Engraver's proof," 459
Engraving a branch of drawing, 101
Engraving and drawing compared,
(see Drawing); on silver and bronze
by Japanese, 100; Definition of,
370 note; for decorative purposes,
370 ff.; for printing, 370-376;
form of the Incision, 371, 374,
375; leads into concavo-convex
Sculpture, 374; on rounded sur-
faces, 374; on wood for printing,
377 generally a representative art,
643
AÏENCE, Henri Deux
Sainte Porchaire)
Farnesina Garden, 286, 291
Farnesina Palace, Paintings by
Raphael in, 53°
Farthingale, 629
Fenestration, 269
File in metal work, 167
Filigree, Definition of, 143 note;
in metal work, 166
Filling of engraved lines resembles
incrustation, 375
Fine Art, Definition of, 12 note; a
work of civilization, 12; in Pacific
Islands previous to European civili-
zation, 13; best judged by studying
its simplest conditions, 613
Finishing in Bronze work, 167
Fireworks, 612 ff.
Firing, causes change of color in cer-
tain pigments, 89; in glass staining,
Firings, Many, of enamelled pottery,
115
Flags, Difficulty of using as decora-
tion, 605
Flint Glass, Definition of, 146 note
Floral street displays, 603
Florence Baptistery, Panels of door,
470 ff.
Florentine Mosaic, 332
Floss silk, in embroidery, 245
Fond in lace work, 208, 253
Fonte à cire perdue (see Lost wax
process)
Epistyle, Definition of, 549 note
Erechtheion, Portico of, 490
Etching, a branch of drawing, 101;
Method of, 379, 389; needle, 379;
and line-engraving combined, 381,
387; and line engraving com-
pared, 382-388; Definition of, Form, Beauty of in sculpture su-
388 note; upon Glass (see Glass) premely important, 59
Foot-lights, destructive to effect, 638
Forests in Europe, 595 ff.
Fountain at the Trocadéro Palace on
the Hill of Chaillot, 598, 603
Fountains, 597 ff.
Herrenhausen near Hanover, 598;
Japanese, 600
Gardet, sculptor, 494
Framed, in building, Definition of, Gem engraving and die-sinking com-
Framing visible in woodwork, 313
Framework in building, concealed,
262, 278; exposed, 262
Fresco, Definition of, 82 note; char-
acteristics of, 83; Colossal figures
pared (see Die sinking)
Gem engraving, of the Renaissance,
423, 425, 426; of Greeks, 426;
Simplicity of design in, 426 ff.
Gesso duro, Reliefs in, 292
Gilded paper in embroidery, 251
in, 83; Limitations of, 517; paint-Gilding and stamping in leather work,
ing, Process of, 517
Fret, Definition of, 396 note
Furniture, Painting of, 299, 306,
327; Joinery of early, 305; inlaid,
306, 334; of 16th century, 312 ff.;
Massive pieces of early work, 314,
315 ff.; of 18th century, 318;
Metal decoration of, 318, 322 ff.;
Veneer on, 319, 323, 325; Finish
of, 320; Style Empire, 321; Se-
verity of style under Louis XVI,
321; Marble slabs on, 322, 325;
applied ornamentation of, 323;
Porcelain plaques introduced into,
323, 325; Chinese saucers intro-
duced into, 326; Dutch tiles in-
troduced into, 326; Mosaics in,
359
GAILLARD, Ferdinand, painter-
Gaine, in joinery, Definition of, 321
Gardening, Naturalistic movement in,
591
Gardens of Italy, Natural growth in,
589
Gardens, Walled, 589; Mediæval,
589; northern and southern; 15th
to 18th century, 590; The Small,
of English country houses, 593;
Girdles in Greek costume, 621 ff.
Glass, Modelling in, 64, 70, 71;
Painting on, 89; stained, 94, 161;
Colored, for windows, 95, 161,
163; inlay, Mycenaean, 134; of
extreme antiquity, 134; insertion
of colored bits into a solid mass,
134, 140; rare and costly in an-
cient times, 134; Extensive use of,
by Romans, 136; work, Early,
Beauty of form in, 137; Color
effects in, 138, 139; Ancient Iri-
descence of, 139; arsenated, 139;
opalescent or opaline, 139; factories
of Venice, 141; Ductility and ad-
hesiveness of, 141, 142, 143;
Pressed, 141, 142; blowing, Defini-
tion of, 143 note; Application of
thin layers to vessels, 145; Cut,
how made, 146; Variety of designs
in, 146; depolished, 147; Engrav-
ing on, 147; Etching on, 147;
flashed, 148; Enamelling on, 148,
150, 151; Cameo cutting in, 148,
436; Painting on, to render opaque,
162; of perfect transparency unfit
for decorative windows, 163;
American method in, 366, 367;
Uncolored in 16th century win-
dows, 368; plates, Engraving on,
379
of the continent; formal, 596; Glass mosaic, Mycenæan art, 349;
modelled after Versailles, 596; at Byzantine, 357, 358; mosaic
Glaze of pottery, how obtained, 112;
Opaque, 114
Glazing, in Oil painting, Definition
of, 518 note
Gobelins, the, Process used in, 92,
230; Workmen at, 210, 232
Gold, Application of, in book-bind-
ing, 199; in leather work, 200;
"cloth," 223; thread in weaving,
223, 224; brocade, 225; foil in
embroidery, 251; background in
mosaic work, 355 ff.
Goldsmith's work, The, 166
from nature, 523; in Nature, 524,
525; in the Far East to-day, 524 ;'
Purpose of, 527; in decorative
painting, 528; one evil tendency
of, 532
Gravelled spaces of southern European
gardens, 590
Greek Art and Industries, 48 ff., 58,
65 ff., 99, 110 ff., 123, 134, 171 ff.,
205, 237, 250, 274 ff., 285, 349,
395 ff., 416 ff., 430, 492, 498,
504ff., 547 ff., 614 ff., 634
Grès de Flandres (see Cologne ware)
Goltzius, Hendrik, engraver, 382 "Grilles" in metal work, 182 ff.
Gothic architecture, Exterior subordi-
nate to interior in, 552; Flying
Buttress in, 554; of France most
constructional, 554; non-construc-
tional refinements of, 555; Vaults
in, 555
Gothic churches, Sculpture of, 45;
apse and ring of chapels, 553; Win-
dows in, 555
Gothic letter in caligraphy, 439 ff.;
in middle ages, why retained, 441;
compared with Latin letter in
printing, 441
Gown with bodice and loose skirt,
619
Grisaille, Definition of, 368 note
Grolier book-bindings, 193
"Ground" in etching, 379
Grouping, Artistic, in building, 557,
562, 586, 601, 602
Guipure, 254, 255
Gypsum (see plaster of Paris)
HADEN, Francis Seymour, etch-
Hair dressing, 629, 630, 631
Hals, Frans, painter, 195
Hammering in metal work, 179
Hard point in drawing, 99, 100, 103,
Hard stones, carving in, 53
Hardouin, printer, 454
Hatfield House, England, Ceiling of,
289
Hats of 16th century, 627, 628
Haute lisse process in weaving, 231
Hauts-de-chausses, 626
Head of Emperor Maximilian by
Gradation, mechanical methods of ob-
taining, in painting, 81; in ivory
staining, 93; of color in textiles,
211; how obtained in printing,
376; Definition of, 392 note; ap-
pearance of, in flat painting, 398;
by means of wash, 509 ff.; Methods
of procuring, in water-color paint- Barthel Beham, print, 383
ing, 509 ff. ; Methods of, in paint- Heraldic bearings, in book-binding
ing, 511; by means of stipple, 514; 192, 195; in embroidery, 243;
by touches of color in water-color how shown without color, 413 note;
painting, 516; by touches of color
poor as decoration, 413, 415
in oil painting, 518; Method of pro- Heraldic shields in inlay, 333
curing in oil painting, 518 ff.; Uni- Himation in Greek Costume, 623
versal predominance of in painting Hispano-Moresque ware, 127
Horn, impressed work in, 72
Horticultural accessories of French
gardening, 603
Hôtel Rohan-Soubise, Paris, Painted
panels in, 529
Hunt, William, painter, 519
Intaglio, Definition of, 38 note; en-
graving, Value of, in Art, 416;
Purpose of artist in, 419; seen as
relief through transparent gems,
419; and die compared (see Die)
Intarsiatura (see Tarsia)
Hunt, Richard Morris, architect, 605 Interior decoration, with mosaic,
Hue, Definition of, 393 note
Human forms studied from life, 66
Hypocaust, Definition of, 135 note
CON, Definition of, 341, note
Ideographs of Far East, 446 ff.
Illumination, of manuscripts, 90; of
St. Peter's on Easter Sunday, 607;
Nature of decorative, 610; painted
signs and lanterns in, 611
Impasto in painting, 516
Impressed work, 71 ff.
Impressions, Superiority of first, in
printing engravings, 458
Incised lines in engraving, Varying
widths of, 372, 374
Incrustation and inlay differentiated,
343; Definition of, 329 note;
Nature of, 343
India Ink, Japanese work in, 511,
Inlay in metal work, 190; colored,
93; in architecture, 270, 331;
Definition of, 329 note; Prepara-
tion for, 329 ff.; in Stone, largely
architectural, 330; rare in anti-
quity, except in metal work, 330;
The Filling of the intaglio, 330;
in architecture of Middle Ages,
330; and mosaic compared, 331,
348; in Marble, Church of S.
Lorenzo in Florence, 332, 3335
Dutch, 334; imitated in painting,
334; Portuguese, 334, 335; Es-
sential characteristic of, 342; based
upon good Drawing, 343; com-
bined with Carving (see Carving);
in leather (see Book-binding)
352; may be of temporary nature,
572; generally not structural, 582;
Manual Arts in, 584
Interiors adorned by portable works
of Art, 573, 581; by their own
structure, 572
Iridescence in glass, 139
Iron-work, decorative, of Berlin, 178
Ivory carving in Japan, 34, 44; carv
ing in France, 36 ff.; stained in
Far East, 93; used in inlay, 334,
ACKSON, John Baptist, wood-
engraver, 462
Jade, carving in, 46, 53, 437
Jeweller's work, Chasing in, 185;
in precious metals, 185; Piercing
with saw in, 185; Soldering in,
185
Jewelry, Decoration of metal with
stones, 186, 187; gold and silver
work in, 189; Repoussé work in
(see Repoussé work); Absence of,
from Greek Costume, 632
Jewels (of glass) in decorative win-
dows, 369
Joinery, in building, 270; Artistic,
a purely manual art, 297; com-
pared with Carpentry, 297, 312;
Ancient and modern compared,
298; in painted and unpainted
wood, 298, 299; Metal supports
used in primitive, 300; Workman-
ship in, concealed, 319
Jupons (worn over armor) embroid-
ered, 243
ING'S College Chapel, Cam- | Leech, John, illustrator, 104, 105
bridge, Choir screen of, 311
Knee-breeches compared with trousers,
619
Knitting, 207
Knotting, 207
LACE, Bobbin, 207, 209, 234,
Léonard, sculptor, 68
Leonardo, painter, 104
Lettering and decoration of
page kept
separate by people of Far East, 446
Lettering used in engraving, 449
Letters, Selection of, in printing,
Lights: Brilliant, Natural Love of,
608; Colored, on moving surfaces,
Limestone, carving in, 52
Line Engraving, 381; Definition of,
235, 236; Needle point, 208, Light, in building, Definition of, 364
235, 236, 253, 254; meshed back-
ground in, 233; in decorative art,
Definition of, 233 note; Use of
bobbins in making, 233; embroid-
ery on, 234; Brussels point, 254;
industry, Rise of, 254; Origin of
different makes, 255, 256; Vene-
tian rose point, 256, 258; Decora-
tive effect of, 257, 258; stiffened,
258,259; Pillow (see Lace, Bobbin)
Lacquer, Definition of, 87 note; Ori-
ental work, 87; Incrusted with va-
ried materials, 344, 345
Landscape Drawing, Attributes of Lithography: for purpose of mani-
385 note; Difficulty of, 385; Re-
productions of paintings in, 387
Line Engraving and Etching com-
pared (see Etching)
Lintel, in building, 263, 264, 271
Lion Tombs of Lycia, Sculpture on,
folding drawings, 102; in book
illustration, 102; in caricatures,
Landscape gardener, not necessarily a
botanist, 599; Duties of, 599, 600
Landscape gardening, looseness of Loops, Weaving with, 219 ff.
term, 586; Early instances of, 587; "Lost wax process in casting,
of Roman Villas, 587; long waiting
for results, 600
Last Days of Napoleon, statue by
Lawns, Smooth grass, of England and
elsewhere, 590, 592
Le Gascon, book-binder, 196
"Love and Life," painting by George
Frederick Watts, 539
Luminous cloud in landscape paint-
ing, 526
Lustre, Metallic, on pottery, 127
Le Mans Cathedral: Mural painting MACRAME 206
Maioli book bindings, 194
Leaded Glass in opaque designs, Majolica, Definition of, 125 note;
363 ff.
Leads in mosaic windows, 365
Leather in impressed work, 72;
Japanese work in, 203; Wall hang-
ings of, 203; Modern work in,
204; work in Far East, 204;
work, Recent European, 204
modern ware, 127
Mandorla, Definition of, 528 note
Manner, the Artist's, 489
Mansart the Elder, architect, 559
Marble copy of sculptor's model not
his own work, 464
Marouflage, 86
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