Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad

Capa
A. J. Hoenselaars, Ton Hoenselaars, Dennis Kennedy
Cambridge University Press, 23/09/2004 - 287 páginas
This volume, with a foreword by Dennis Kennedy, addresses a range of attitudes to Shakespeare's English history plays in Britain and abroad from the early seventeenth century to the present day. It concentrates on the play texts as well as productions, translations and adaptations of them. The essays explore the multiple points of intersection between the English history they recount and the experience of British and other national cultures, establishing the plays as genres not only relevant to the political and cultural history of Britain but also to the history of nearly every nation worldwide. The plays have had a rich international reception tradition but critics and theatre historians abroad, those practising 'foreign' Shakespeare, have tended to ignore these plays in favour of the comedies and tragedies. By presenting the British and foreign Shakespeare traditions side by side, this volume seeks to promote a more finely integrated world Shakespeare.

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Índice

histories and nations
1
Shakespeares history plays in Britain and abroad
9
alienating histories
37
Welshness in Shakespeares English histories
60
A French history of Henry V
75
Shakespeares history plays in Japan
92
the appropriated past III
111
Brecht and the rediscovery of Henry VI
133
Shakespeares history plays in Bulgaria
169
stage adaptations of the histories
191
The Spanish premiere of Richard II
213
Shakespearean history at the Avignon Festival
228
Two Flemings at war with Shakespeare
244
Select bibliography
262
Index
275
Direitos de autor

Shakespeares histories in cycles
151

Outras edições - Ver tudo

Palavras e frases frequentes

Passagens conhecidas

Página 265 - And let me speak to the yet unknowing world How these things came about : so shall you hear Of carnal, bloody and unnatural acts, Of accidental judgements, casual slaughters, Of deaths put on by cunning and forced cause, And, in this upshot, purposes mistook Fall'n on the inventors' heads : all this can I Truly deliver.

Referências a este livro

Ilha Do Desterro, Edição 49

Visualização de excertos - 2005

Acerca do autor (2004)

Ton Hoenselaars is Associate Professor in the English Department at Utrecht University. He is the author of Images of Englishmen and Foreigners in the Drama of Shakespeare and his Contemporaries (1992). He is also editor and co-editor of a number of collections including Shakespeare's Italy (1993, revised edition 1997), Reclamations of Shakespeare (1994), and 400 Years of Shakespeare in Europe (2003).

Dennis Kennedy's books include The Spectator and the Spectacle: Audiences in Modernity and Postmodernity, The Oxford Encyclopedia of Theatre and Performance, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, Foreign Shakespeare, and Granville Barker and the Dream of Theatre. Shakespeare in Asia: Contemporary Performance is due late 2009 (edited with Yong Li Lan). He has twice been a fellow of the National Endowment for the Humanities in the USA, twice won the Freedley Award for theatre history, received the Chancellor's Distinguished Research Award at the University of Pittsburgh, the Berkeley Fellowship at Trinity College Dublin, and was elected to the Royal Irish Academy and Academia Europaea. His own plays have been performed in New York, London, and many other places, and he has frequently worked as a dramaturg and director in professional theatres.

Dennis Kennedy's books include The Spectator and the Spectacle: Audiences in Modernity and Postmodernity, The Oxford Encyclopedia of Theatre and Performance, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, Foreign Shakespeare, and Granville Barker and the Dream of Theatre. Shakespeare in Asia: Contemporary Performance is due late 2009 (edited with Yong Li Lan). He has twice been a fellow of the National Endowment for the Humanities in the USA, twice won the Freedley Award for theatre history, received the Chancellor's Distinguished Research Award at the University of Pittsburgh, the Berkeley Fellowship at Trinity College Dublin, and was elected to the Royal Irish Academy and Academia Europaea. His own plays have been performed in New York, London, and many other places, and he has frequently worked as a dramaturg and director in professional theatres.

Informação bibliográfica