Prefaces, Biographical and Critical, to the Works of the English Poets: Young. Dyer. Mallet. Shenstone. Akenside. Lyttelton. West. GrayJ. Nichols, 1781 |
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Página 19
... second heavens , and leaving the fixed stars behind her ; -nor will he lose her there , but keep her still in view through the boundlefs fpaces on the other fide of Creation , in her jour- ney towards eternal blifs , till he behold the ...
... second heavens , and leaving the fixed stars behind her ; -nor will he lose her there , but keep her still in view through the boundlefs fpaces on the other fide of Creation , in her jour- ney towards eternal blifs , till he behold the ...
Página 47
... Second . The tragedy of The Brothers , which was already in rehearsal , he immediately withdrew from the ftage . The managers . refigned it with fome reluctance to the delicacy of the new clergyman . The Epilogue to The Brothers , the ...
... Second . The tragedy of The Brothers , which was already in rehearsal , he immediately withdrew from the ftage . The managers . refigned it with fome reluctance to the delicacy of the new clergyman . The Epilogue to The Brothers , the ...
Página 12
... Second , elaborated by the fearches and deliberations of twenty years , and published with fuch anxiety as only vanity can dictate , ... The ftory of this publication is re- markable . The whole work was printed twice over , a great ...
... Second , elaborated by the fearches and deliberations of twenty years , and published with fuch anxiety as only vanity can dictate , ... The ftory of this publication is re- markable . The whole work was printed twice over , a great ...
Página 14
... Second . The book was at last pointed and printed , and sent into the world . Lyttelton took money for his copy , of which , when he had paid the Pointer , he probably gave the reft away ; for he was very liberal to the indigent . When ...
... Second . The book was at last pointed and printed , and sent into the world . Lyttelton took money for his copy , of which , when he had paid the Pointer , he probably gave the reft away ; for he was very liberal to the indigent . When ...
Página 22
... the first relates merely to the nymph , and the second only to the cat . The fixth ftanza contains a melancholy truth , that a favourite has no friend ; but the laft laft ends in a pointed fentence of no rela- tion 22 GRAY .
... the first relates merely to the nymph , and the second only to the cat . The fixth ftanza contains a melancholy truth , that a favourite has no friend ; but the laft laft ends in a pointed fentence of no rela- tion 22 GRAY .
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Prefaces, Biographical and Critical, to the Works of the English Poets ... Samuel Johnson Visualização integral - 1781 |
Palavras e frases frequentes
addreffed afterwards All-fouls almoft Anne Wharton beftowed blank verfe cenfure College compofition conclufion confequence curiofity daugh death dedicated deferve defign diſcover Duke Duke of Wharton eafily eafy Edward Young Engliſh faid fame father fatire favour fays fecond feems felf fenfe fent fentiments fhall fhew fhort fhould fide firft firſt flain fome fomething fometimes foon ftand ftanzas ftory ftrain ftudy fubject fuccefs fuch fufficient fuppofe fupported fure Gray Grongar Hill himſelf honour Houſe increaſe Lady laft laſt leaſt lefs Lord Lorenzo Lyrick Lyttelton Mallet Margaret of Anjou ments mind moſt Mufe muſt never Night Thoughts Obfervations occafion paffage paffed paffion perfon perfuaded Pindar pleafed pleaſed pleaſure poem poet poetical poetry Pope praife praiſe prefent profe publick publiſhed raiſed reafon reft rhyme ſeems ſhall thee thefe theſe Thomſon thoſe tion tragedy Univerfal vifit Voltaire Walpole Weft Wharton whofe worfe write Young
Passagens conhecidas
Página 18 - Alas ! from the day that we met What hope of an end to my woes ? When I cannot endure to forget The glance that undid my repose. Yet time may diminish the pain : The flower, and the shrub, and the tree, Which I rear'd for her pleasure in vain, In time may have comfort for me.
Página 17 - Tis his with mock passion to glow ! Tis his in smooth tales to unfold, How her face is as bright as the snow, And her bosom, be sure, is as cold ; How the nightingales labour the strain, With the notes of his charmer to vie ; How they vary their accents in vain, Repine at her triumphs and die.
Página 19 - ... always to mean more than he said. Would you have any more reasons? An interval of above forty years has pretty well destroyed the charm. A dead lord ranks with commoners; vanity is no longer interested in the matter ; for a new road has become an old one.
Página 35 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Página 8 - The pleasure of Shenstone was all in his eye ; he valued what he valued merely for its looks; nothing raised his indignation more than to ask if there were any fishes in his water.
Página 26 - An epithet or metaphor drawn from Nature ennobles Art: an epithet or metaphor drawn from Art degrades Nature.
Página 107 - In his Night Thoughts he has exhibited a very wide display of original poetry, variegated with deep reflections and striking allusions, a wilderness of thought in which the fertility of fancy scatters flowers of every hue and of every odour. This is one of the few poems in which blank verse could not be changed for rhyme but with disadvantage.
Página 6 - Mallet, without any imaginable reason of preference which the eye or ear can discover. What other proofs he gave of disrespect to his native country, I know not ; but it was remarked of him, that he was the only Scot whom Scotchmen did not commend.
Página 16 - I priz'd every hour that went by, Beyond all that had pleas'd me before; But now they are past, and I sigh; And I grieve that I priz'd them no more.
Página 30 - To select a singular event, and swell it to a giant's bulk by fabulous appendages of spectres and predictions, has little difficulty ; for he that forsakes the probable may always find the marvellous. And it has little use ; we are affected only as we believe ; we are improved only as we find something to be imitated or declined. I do not see that " The Bard" promotes any truth, moral or political.