Prefaces, Biographical and Critical, to the Works of the English Poets: Young. Dyer. Mallet. Shenstone. Akenside. Lyttelton. West. GrayJ. Nichols, 1781 |
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Página 108
... - prefented as a proof of decaying facul ties . There is Young in every stanza , fuch as he often was in his highest vigour . His Tragedies not making part of this Collection , I His 108 YOUNG . and reftrained by regard to rhyme. The ...
... - prefented as a proof of decaying facul ties . There is Young in every stanza , fuch as he often was in his highest vigour . His Tragedies not making part of this Collection , I His 108 YOUNG . and reftrained by regard to rhyme. The ...
Página 25
... stanza of the Progrefs of Poetry . Gray feems in his rapture to confound the images of Spreading found and run- ning water . Aftream of mufick may be allowed ; but where does Mufick , however Smooth and strong , after having vifted the ...
... stanza of the Progrefs of Poetry . Gray feems in his rapture to confound the images of Spreading found and run- ning water . Aftream of mufick may be allowed ; but where does Mufick , however Smooth and strong , after having vifted the ...
Página 26
... stanza , however , has fomething pleafing . Of the fecond ternary of ftanzas , the firft endeavours to tell fomething , and would have told it , had it not been 7 croffed croffed by Hyperion : the fecond de- fcribes well enough 26 GRAY .
... stanza , however , has fomething pleafing . Of the fecond ternary of ftanzas , the firft endeavours to tell fomething , and would have told it , had it not been 7 croffed croffed by Hyperion : the fecond de- fcribes well enough 26 GRAY .
Página 31
Samuel Johnson. fure from their confonance and recur- rence . Of the first stanza the abrupt begin- ning has been celebrated ; but technical beauties can give praise only to the in- ventor . It is in the power of any man to rush abrutly ...
Samuel Johnson. fure from their confonance and recur- rence . Of the first stanza the abrupt begin- ning has been celebrated ; but technical beauties can give praise only to the in- ventor . It is in the power of any man to rush abrutly ...
Página 40
... contrafted ; and nothing can be more happily turned than the compliment to Lady Cob- ham in the eighth stanza . M. With bonnet blue and capuchine , And aprons long they With 40 GRA Y. * A brace of warriors, not in buff, ...
... contrafted ; and nothing can be more happily turned than the compliment to Lady Cob- ham in the eighth stanza . M. With bonnet blue and capuchine , And aprons long they With 40 GRA Y. * A brace of warriors, not in buff, ...
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Prefaces, Biographical and Critical, to the Works of the English Poets ... Samuel Johnson Visualização integral - 1781 |
Palavras e frases frequentes
addreffed afterwards All-fouls almoft Anne Wharton beftowed blank verfe cenfure College compofition conclufion confequence curiofity daugh death dedicated deferve defign diſcover Duke Duke of Wharton eafily eafy Edward Young Engliſh faid fame father fatire favour fays fecond feems felf fenfe fent fentiments fhall fhew fhort fhould fide firft firſt flain fome fomething fometimes foon ftand ftanzas ftory ftrain ftudy fubject fuccefs fuch fufficient fuppofe fupported fure Gray Grongar Hill himſelf honour Houſe increaſe Lady laft laſt leaſt lefs Lord Lorenzo Lyrick Lyttelton Mallet Margaret of Anjou ments mind moſt Mufe muſt never Night Thoughts Obfervations occafion paffage paffed paffion perfon perfuaded Pindar pleafed pleaſed pleaſure poem poet poetical poetry Pope praife praiſe prefent profe publick publiſhed raiſed reafon reft rhyme ſeems ſhall thee thefe theſe Thomſon thoſe tion tragedy Univerfal vifit Voltaire Walpole Weft Wharton whofe worfe write Young
Passagens conhecidas
Página 18 - Alas ! from the day that we met What hope of an end to my woes ? When I cannot endure to forget The glance that undid my repose. Yet time may diminish the pain : The flower, and the shrub, and the tree, Which I rear'd for her pleasure in vain, In time may have comfort for me.
Página 17 - Tis his with mock passion to glow ! Tis his in smooth tales to unfold, How her face is as bright as the snow, And her bosom, be sure, is as cold ; How the nightingales labour the strain, With the notes of his charmer to vie ; How they vary their accents in vain, Repine at her triumphs and die.
Página 19 - ... always to mean more than he said. Would you have any more reasons? An interval of above forty years has pretty well destroyed the charm. A dead lord ranks with commoners; vanity is no longer interested in the matter ; for a new road has become an old one.
Página 35 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Página 8 - The pleasure of Shenstone was all in his eye ; he valued what he valued merely for its looks; nothing raised his indignation more than to ask if there were any fishes in his water.
Página 26 - An epithet or metaphor drawn from Nature ennobles Art: an epithet or metaphor drawn from Art degrades Nature.
Página 107 - In his Night Thoughts he has exhibited a very wide display of original poetry, variegated with deep reflections and striking allusions, a wilderness of thought in which the fertility of fancy scatters flowers of every hue and of every odour. This is one of the few poems in which blank verse could not be changed for rhyme but with disadvantage.
Página 6 - Mallet, without any imaginable reason of preference which the eye or ear can discover. What other proofs he gave of disrespect to his native country, I know not ; but it was remarked of him, that he was the only Scot whom Scotchmen did not commend.
Página 16 - I priz'd every hour that went by, Beyond all that had pleas'd me before; But now they are past, and I sigh; And I grieve that I priz'd them no more.
Página 30 - To select a singular event, and swell it to a giant's bulk by fabulous appendages of spectres and predictions, has little difficulty ; for he that forsakes the probable may always find the marvellous. And it has little use ; we are affected only as we believe ; we are improved only as we find something to be imitated or declined. I do not see that " The Bard" promotes any truth, moral or political.