Prefaces, Biographical and Critical, to the Works of the English Poets: Young. Dyer. Mallet. Shenstone. Akenside. Lyttelton. West. GrayJ. Nichols, 1781 |
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Página 3
... whose " grand - mother , " fays he , " was a Shake- fpeare , defcended from a brother of 66 every body's Shakespeare ; " by her , in 1756 , he had a fon and three daugh- ters living . His ecclefiaftical provifion was a long time but ...
... whose " grand - mother , " fays he , " was a Shake- fpeare , defcended from a brother of 66 every body's Shakespeare ; " by her , in 1756 , he had a fon and three daugh- ters living . His ecclefiaftical provifion was a long time but ...
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... whose mind was not unpoetical , has done his utmoft , by interesting his reader in our native com- modity , by interfperfing rural imagery and incidental digreffions , by cloathing fmall images in great words , and by all the writer's ...
... whose mind was not unpoetical , has done his utmoft , by interesting his reader in our native com- modity , by interfperfing rural imagery and incidental digreffions , by cloathing fmall images in great words , and by all the writer's ...
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... whose Seafons were then in their full bloffom of reputation . He has Thomson's beauties and his faults . His poem on Verbal Criticism ( 1733 ) was written to pay court to Pope , on a sub- ject which he either did not understand or ...
... whose Seafons were then in their full bloffom of reputation . He has Thomson's beauties and his faults . His poem on Verbal Criticism ( 1733 ) was written to pay court to Pope , on a sub- ject which he either did not understand or ...
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... his poetry . He published in 1740 his Judgement of Her- cules , addreffed to Mr. Lyttelton , whose intereft he fupported with great warmth at an election : inte- 4 SHENSTONE . out fhewing any intention to engage in ...
... his poetry . He published in 1740 his Judgement of Her- cules , addreffed to Mr. Lyttelton , whose intereft he fupported with great warmth at an election : inte- 4 SHENSTONE . out fhewing any intention to engage in ...
Página 13
... Whose streams among the pebbles ftray ; " There will we fit and fip our fill , " Or on the flow'ry border play . " I'll guide thee to the thickest brake , " Impervious to the school - boy's eye : For thee the plaster'd neft I'll make ...
... Whose streams among the pebbles ftray ; " There will we fit and fip our fill , " Or on the flow'ry border play . " I'll guide thee to the thickest brake , " Impervious to the school - boy's eye : For thee the plaster'd neft I'll make ...
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Prefaces, Biographical and Critical, to the Works of the English Poets ... Samuel Johnson Visualização integral - 1781 |
Palavras e frases frequentes
addreffed afterwards All-fouls almoft Anne Wharton beftowed blank verfe cenfure College compofition conclufion confequence curiofity daugh death dedicated deferve defign diſcover Duke Duke of Wharton eafily eafy Edward Young Engliſh faid fame father fatire favour fays fecond feems felf fenfe fent fentiments fhall fhew fhort fhould fide firft firſt flain fome fomething fometimes foon ftand ftanzas ftory ftrain ftudy fubject fuccefs fuch fufficient fuppofe fupported fure Gray Grongar Hill himſelf honour Houſe increaſe Lady laft laſt leaſt lefs Lord Lorenzo Lyrick Lyttelton Mallet Margaret of Anjou ments mind moſt Mufe muſt never Night Thoughts Obfervations occafion paffage paffed paffion perfon perfuaded Pindar pleafed pleaſed pleaſure poem poet poetical poetry Pope praife praiſe prefent profe publick publiſhed raiſed reafon reft rhyme ſeems ſhall thee thefe theſe Thomſon thoſe tion tragedy Univerfal vifit Voltaire Walpole Weft Wharton whofe worfe write Young
Passagens conhecidas
Página 18 - Alas ! from the day that we met What hope of an end to my woes ? When I cannot endure to forget The glance that undid my repose. Yet time may diminish the pain : The flower, and the shrub, and the tree, Which I rear'd for her pleasure in vain, In time may have comfort for me.
Página 17 - Tis his with mock passion to glow ! Tis his in smooth tales to unfold, How her face is as bright as the snow, And her bosom, be sure, is as cold ; How the nightingales labour the strain, With the notes of his charmer to vie ; How they vary their accents in vain, Repine at her triumphs and die.
Página 19 - ... always to mean more than he said. Would you have any more reasons? An interval of above forty years has pretty well destroyed the charm. A dead lord ranks with commoners; vanity is no longer interested in the matter ; for a new road has become an old one.
Página 35 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Página 8 - The pleasure of Shenstone was all in his eye ; he valued what he valued merely for its looks; nothing raised his indignation more than to ask if there were any fishes in his water.
Página 26 - An epithet or metaphor drawn from Nature ennobles Art: an epithet or metaphor drawn from Art degrades Nature.
Página 107 - In his Night Thoughts he has exhibited a very wide display of original poetry, variegated with deep reflections and striking allusions, a wilderness of thought in which the fertility of fancy scatters flowers of every hue and of every odour. This is one of the few poems in which blank verse could not be changed for rhyme but with disadvantage.
Página 6 - Mallet, without any imaginable reason of preference which the eye or ear can discover. What other proofs he gave of disrespect to his native country, I know not ; but it was remarked of him, that he was the only Scot whom Scotchmen did not commend.
Página 16 - I priz'd every hour that went by, Beyond all that had pleas'd me before; But now they are past, and I sigh; And I grieve that I priz'd them no more.
Página 30 - To select a singular event, and swell it to a giant's bulk by fabulous appendages of spectres and predictions, has little difficulty ; for he that forsakes the probable may always find the marvellous. And it has little use ; we are affected only as we believe ; we are improved only as we find something to be imitated or declined. I do not see that " The Bard" promotes any truth, moral or political.