OvidYale University Press, 01/01/1968 - 192 páginas Of all the poets of ancient Rome Ovid had perhaps the most influence on the art and literature of Medieval and Renaissance Europe. Even today he is probably the most accessible of all classical poets to the non-specialist, both in his subject matter and in his style. Ovid is no less fascinated than we are by the human psyche and by the ways men and women relate to each other, and many of his views on these questions seem centuries ahead of his time. Ovid’s interest in narrative technique is so much like ours that modern critical terms such as “reader-response” could have been coined for his experiments with story telling. In the creation of different personae and points of view his ingenuity is endless. For the Amores he invented a posing poet-lover; for the Art of Love, his narrator is a cynical professor of seduction who is convinced, quite wrongly, that he has love down to a science. In the Heroides, a series of verse-letters from the famous women of legend to their lovers, he brilliantly recreated great moments of heroic mythology from the feminine point of view. The longest and most enchanting of his works, the Metamorphoses, an epic-length poem on the infinite changes of mythology and history, afforded him the richest opportunities of all to experiment with narrative techniques. In this book Sara Mack introduces Ovid to the general reader. After considering Ovid’s modernity, Mack surveys his poetry chronologically. Next she examines his most influential poems: the Amores, Heroides, Art of Love, and Metamorphoses. Finally she explores Ovidian wit, concluding with a look at Ovid’s influence on the arts. |
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Página iv
... whole or in part , including illustrations , in any form ( beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press ) , without written permission from the publishers ...
... whole or in part , including illustrations , in any form ( beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press ) , without written permission from the publishers ...
Página viii
... whole , within and outside academe , it seems that this gap in classical studies ought to be filled . The Hermes series is a modest attempt to fill it . We have sought men and women possessed of a rather rare combination of qualities ...
... whole , within and outside academe , it seems that this gap in classical studies ought to be filled . The Hermes series is a modest attempt to fill it . We have sought men and women possessed of a rather rare combination of qualities ...
Página 16
... whole for fairly light subjects , whereas its cousin , the dactylic hexameter , was used for weightier matters , in- cluding didactic poetry ( Lucretius and Vergil ) , and epic , the " queen of poetry " ( Ennius and Vergil ) . The poet ...
... whole for fairly light subjects , whereas its cousin , the dactylic hexameter , was used for weightier matters , in- cluding didactic poetry ( Lucretius and Vergil ) , and epic , the " queen of poetry " ( Ennius and Vergil ) . The poet ...
Página 17
... whole , nor in his language — it lies in his shattering the con- ventions of the genre so that no one could write elegy in the style of Tibullus and Propertius again . The Heroides At about the same time that he was completing the ...
... whole , nor in his language — it lies in his shattering the con- ventions of the genre so that no one could write elegy in the style of Tibullus and Propertius again . The Heroides At about the same time that he was completing the ...
Página 18
... poetic letter from a woman to a man into Roman elegy ( 4.3 ) . It was Ovid's innovation to create a whole collection of elegiac letters , and on a single theme at that : a woman who has lost her man . 18 OVID IN HIS OWN TIME.
... poetic letter from a woman to a man into Roman elegy ( 4.3 ) . It was Ovid's innovation to create a whole collection of elegiac letters , and on a single theme at that : a woman who has lost her man . 18 OVID IN HIS OWN TIME.
Palavras e frases frequentes
Achilles Aeneas Aeneid Amatoria Amores Augustan Rome Augustus Augustus's battle beauty begins Briseis bull Cadmus Callimachus Centaurs Cephalus characters claims Classical comedy comic Corinna course create Cupid dactylic hexameter Daedalus death didactic Dido elegiac couplets epic Epistulae ex Ponto Europa Eurydice Fasti father genre Georgics girl give gods Greek Hercules heroes Heroides Hesiod Homer's husband Ibis Iliad Juno Jupiter language Lapiths Latin letter look love elegy lover Medea Meta Metamorphoses meter Minos Minotaur moving Muse myth mythological narrative narrator Nestor Odyssey Orpheus Ovid Ovid tells Ovid's Ovid's Briseis Ovid's poem Ovidian Penelope Penelope's perhaps Perseus poems from exile poet's poetic poetry Procris Propertius rape Roman poets says scene seems simile song speaker story syllables theme Theseus things Tibullus tradition tragedy translation Tristia turns Ulysses Venus Vergil verse virgin wife woman women words write written wrote
Passagens conhecidas
Página 6 - At chorus aequalis Dryadum clamore supremos 460 Implerunt montes ; flerunt Rhodopeiae arces Altaque Pangaea et Rhesi Mavortia tellus Atque Getae atque Hebrus et Actias Orithyia.
Página 51 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Página 168 - The Knave of Diamonds tries his wily arts, And wins (oh shameful chance !) the Queen of Hearts. At this, the blood the virgin's cheek forsook, A livid paleness spreads o'er all her look ; She sees, and trembles at th' approaching ill, Just in the jaws of ruin, and codille.
Página 99 - In nova fert animus mutatas dicere formas Corpora. Di, coeptis — nam vos mutastis et illas — Adspirate meis, primaque ab origine mundi Ad mea perpetuum deducite tempora carmen.
Página 9 - Orpheu, te turba ferarum, 45 te rigidi silices, tua carmina saepe secutae fleverunt silvae; positis te frondibus arbor tonsa comas luxit; lacrimis quoque flumina dicunt increvisse suis, obstrusaque carbasa pullo naides et dryades passosque habuere capillos.
Página 150 - Herculeae superessent semina gentis, credibile est ipsos consuluisse deos ; nam puer impubes et adhuc non utilis armis 240 unus de Fabia gente relictus erat, scilicet ut posses olim tu, Maxime, nasci, cui res cunctando restituenda foret.
Página 6 - Taenarias etiam fauces, alta ostia Ditis, et caligantem nigra formidine lucum ingressus Manesque adiit regemque tremendum nesciaque humanis precibus mansuescere corda. 470 at cantu commotae Erebi de sedibus imis umbrae ibant tenues simulacraque luce carentum, quam multa in foliis avium se...
Página 2 - Roman Poets. Before I read Virgil I was so strongly attached to Ovid, whose Metamorphoses I read at school, that I was quite in a passion whenever I found him, in books of criticism, placed below Virgil.
Página 151 - Ianua, non custos decipiendus erit. Ut tenuit domus una duos, -domus una tenebit. Oscula aperta dabas, oscula aperta dabis. Tutus eris mecum laudemque merebere culpa, 145 Tu licet in lecto conspiciare meo.