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• So 4tos.
players; mark it, you say right, sir : for o'Mon-
Pol. My lord, I have news to tell you.
When was, 4tos. Roscius (was*] an actor in Rome,
Pol. The actors are come hither, my lord.
POL. The best actors in the world either for tragedy, comedy, history, pastoral; pastorical-comical, historical-pastoral; tragical-historical, tragical-comical-historical-pastoral ; scene indivisible
or poem unlimited. Seneca cannot be too heavy, light for nor Plautus too light. (37) For the law of writ and writ and the the liberty, these are the only * men.(58)
Ham. O Jephthah, judge of Israel,—what a treasure hadst thou !
Pol. What a treasure had he, my lord ?
The which he loved passing well.
[Aside. HAM. Am I not i'the right, old Jephthah?
Pol. If you call me Jephthah, my lord, I have a daughter, that I love passing well.
HAM. Nay, that follows not.
) and then, you know, It came to pass, As most like it was,- The first row of the Pons* Chanson will shew you more; for look, where my abridgments come. (40)
liberty. These &c. 0. C.
• Then came each actor on his ass] This seems to be a line of a ballad. Johnson.
row of the Pons Chanson] Row is column or division: Pons Chanson, says Pope, the old ballads, sung on bridges. Hamlet is here repeating ends of old songs. Pans is the reading of the folio of 1632, and one 4to. Pious of the other.
Enter Four or Five Players.
You are welcome, masters; welcome, all : -I am glad to see thee well :-welcome, good friends. O, old friend! Why, thy face is valiant "*") since I saw thee last; Com'st thou to beard me in Denmark? - What! my young lady and mistress ! By-'r-lady, your ladyship is nearer to heaven, than when I saw you last, by the altitude of a choppine. (42) Pray God, your voice, like a piece of uncurrent gold, be not cracked within the ring. (43) Masters, you are all welcome. We'll e'en to't like French falconers,(*) fly at any thing we see: We'll have a speech straight: Come, give us a taste of your quality ;" come, a passionate speech.
1 Play. What speech, my lord?
HAM. I heard thee speak me a speech once,but it was never acted; or, if it was, not above once: for the play, I remember, pleased not the million ; 'twas caviarie to the General: (45) but it was (as I received it, and others, whose judgments, in such matters, cried in the top of mine") an excellent play; well digested in the scenes, set down with as much modesty as cunning. I remember, one said, there were no sallets in the lines,' to make the matter savoury; nor no matter in the phrase, that might indite the author of affectation : (46) but called it, an honest method [as
quality] Qualifications, faculty. Haml. to Rosencr. supra.
cried in the top of mine) Proclaimed not merely in addition to my voice and censure, but with a tone of authority, that mine could not sound. See Rosencr. supra.
“ Cried out on the top of question.”
• as much modesty as cunning] As much propriety and de corum, as skill.
no sallets in the lines] Licentious jocularity, ribaldry. “ For junkets, joci, and for curious sallets, sales.' A Banquet of Jests, 1669. Steevens.
• an honest method) Plain, subdued and sober.
• So, 4tos. to take geulles, 1023, 32.
wholesome as sweet, and by very much more handsome than' fine."] _One chief speech in it I chiefly loved : (47
) 'twas Æneas' tale to Dido; and thereabout of it especially, where he speaks of Priam's slaughter: If it live in your memory, begin at this line; let me see, let me see;
The rugged Pyrrhus, like the Hyrcanian beast, 'tis not so; it begins with Pyrrhus.
The rugged Pyrrhus,-he, whose sable arms,
Pol. 'Fore God, my lord, well spoken; with good accent, and good discretion.
1 Play. Anon he finds him Striking too short at Greeks; his antique sword, Rebellious to his arm, lies where it falls, Repugnant to command: Unequal match’d, Pyrrhus at Priam drives; in rage, strikes wide; But with the whiff and wind of his fell sword The unnerved father falls.d Then senseless Ilium, a and by very much more handsome than fine] With more of elegant and just form and proportion, than of superfluous ornament: and composed in the spirit and taste of the advice just given by Polonius to Laertes as to dress ; “ rich, not gaudy.”
o'er-sized] Covered as with glutinous matter.
“ The Grecians fall
Tr. & Cress, P. 3, TP.
* So, 4tos. bis 1623,32.
Seeming to feel this * blow, with flaming top
HAM, It shall to the barber's with Pr’ythee, say on :-He's for a jig, or a tale of bawdry, (55) or he sleeps :--say on: come to Hecuba. 1 Play. But who, O who * had seen the mobled* * ah woe!
inobled, HAM. The mobled * queen ? Pol. That's good ; mobled * queen is good. 1 Play. Run barefoot up and down, threatning
the flame With bisson rheum ; (55) a clout about * that head, upon 4tos.
* flames, 4tos.
• His sword seem'd i the air to stick, 86.] As represented in tapestry hangings, the furniture of the age, in which, as Mr. Malone observes, their swords " stick in the air and do nothing."
the rack] The clouds or congregated vapour. See Temp. IV. 1. Prosp.
Where late the diadem stood; and, for a robe,
Pol. Look, whether * he has not turned his colour, and has tears in's eyes. - Pr’ythee, no
where, 0. C.
• of this, 4 tos.
• much, 4tos.
HAM. 'Tis well; I'll have thee speak out the rest * soon.-Good my lord, will you see the players well bestowed ? Do you hear, let them be well used; for they are the abstract, and brief chronicles, of the time: After your death you were better have a bad epitaph, than their ill report while you live.
Pol. My lord, I will use them according to their desert.
HAM. God's bodikin, man, better: Use every man after his desert, and who shall 'scape whipping ? Use them after your own honour and dignity: The less they deserve, the more merit is in your bounty. Take them in. Pol. Come, sirs.
[Exit Polonius with some of the Players. HAM. Follow him, friends : we'll hear a play tomorrow.-Dost thou hear me, old friend; can you play the murder of Gonzago?
1 Play. Ay, my lord. .
You could, for a need, study a speech (58) of some dozen