How to Read Shakespeare: A Guide for the General Reader |
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Página 30
Having three plays through which to develop the character , he builds it up slowly
, exhibiting it fully in every phase ; and he is obviously working with pleasure from
beginning to end . In completing his portrait of Brutus in Julius Cæsar he says ...
Having three plays through which to develop the character , he builds it up slowly
, exhibiting it fully in every phase ; and he is obviously working with pleasure from
beginning to end . In completing his portrait of Brutus in Julius Cæsar he says ...
Página 43
A Guide for the General Reader James Stalker. THE ANCIENT HISTORIES
TROILUS AND CRESSIDA TIMON OF ATHENS CORIOLANUS JULIUS CÆSAR
ANTONY.
A Guide for the General Reader James Stalker. THE ANCIENT HISTORIES
TROILUS AND CRESSIDA TIMON OF ATHENS CORIOLANUS JULIUS CÆSAR
ANTONY.
Página 44
A Guide for the General Reader James Stalker. TROILUS AND CRESSIDA
TIMON OF ATHENS CORIOLANUS JULIUS CÆSAR ANTONY AND
CLEOPATRA TITUS ANDRONICUS CHAPTER II . THE ANCIENT HISTORIES
THE first great ...
A Guide for the General Reader James Stalker. TROILUS AND CRESSIDA
TIMON OF ATHENS CORIOLANUS JULIUS CÆSAR ANTONY AND
CLEOPATRA TITUS ANDRONICUS CHAPTER II . THE ANCIENT HISTORIES
THE first great ...
Página 47
The three plays on classical themes which distinctly belong to the category of
Histories are Coriolanus , Julius Cæsar and Antony and Cleopatra . These form
the true continuation of the English Histories , and this is a hint which may guide
the ...
The three plays on classical themes which distinctly belong to the category of
Histories are Coriolanus , Julius Cæsar and Antony and Cleopatra . These form
the true continuation of the English Histories , and this is a hint which may guide
the ...
Página 48
... the prosaic and the poetical --without being struck with the closeness , almost
slavishness , with which the playwriter adheres to his authority . Thus in Julius
Cæsar ( to quote the remarks of Gervinus , the German Shakspearian
commentator ) ...
... the prosaic and the poetical --without being struck with the closeness , almost
slavishness , with which the playwriter adheres to his authority . Thus in Julius
Cæsar ( to quote the remarks of Gervinus , the German Shakspearian
commentator ) ...
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Palavras e frases frequentes
able action Antony appears become beginning better called character Class close Comedies comes common course daughter death drama dramatist Dream England English especially everything execution expressed eyes fall father feeling figures follow force genius give hand hath hear heart Henry hero hour human interest Italy John Julius Cæsar kind King learned less lines live look lost lover Macbeth means mind move nature never night noble passages passing passion perfect perhaps person play poet present Prince productions prove Queen reader remark says scene seems Shakspeare Shakspeare's side sound speak spirit stands sweet tell things third thou thought town Tragedies true turn whole wife woman women written young youth
Informação bibliográfica
| Título | How to Read Shakespeare: A Guide for the General Reader |
| Autor | James Stalker |
| Edição | 2, reimpressão |
| Editora | Hodder and Stoughton, 1913 |
| Original de | Biblioteca Pública de Lyon |
| Digitalizado | 28 Ago 2013 |
| Número de páginas | 292 páginas |
| Exportar citação | BiBTeX EndNote RefMan |