The Complete Works of William Shakespeare, Volume 5Harper& brothers, 1907 |
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Página 128
... Rosalind and Orlando may be better than the massing of the material in " Love's Labour's Lost , " they are not so essential to the development of the main story as are Sir Toby and Sir Andrew in " Twelfth Night " and Dogberry and Verges ...
... Rosalind and Orlando may be better than the massing of the material in " Love's Labour's Lost , " they are not so essential to the development of the main story as are Sir Toby and Sir Andrew in " Twelfth Night " and Dogberry and Verges ...
Página 128
... Rosalind and Orlando savour of the word - combat . Does not all this sound reminiscent of " Love's Labour's Lost ? " Even on their first appearance Rosalind and Celia fall to making epigrams : - CEL . Let us sit and mock the good ...
... Rosalind and Orlando savour of the word - combat . Does not all this sound reminiscent of " Love's Labour's Lost ? " Even on their first appearance Rosalind and Celia fall to making epigrams : - CEL . Let us sit and mock the good ...
Página 128
... Rosalind , Celia , Touchstone , Jaques , even of the lesser characters , are what have for generations en- deared them to readers and theatre - goers . Moreover , to compare the original dialogue of Lodge and that of Shakespeare is to ...
... Rosalind , Celia , Touchstone , Jaques , even of the lesser characters , are what have for generations en- deared them to readers and theatre - goers . Moreover , to compare the original dialogue of Lodge and that of Shakespeare is to ...
Página xxiii
... Rosalind's speech under similar conditions shows Shakespeare's acquired mastery of dramatic dialogue , that epitome of compacted suggestion : Why , what means this ? Why do you look on me ? I see no more in you than in the ordinary Of ...
... Rosalind's speech under similar conditions shows Shakespeare's acquired mastery of dramatic dialogue , that epitome of compacted suggestion : Why , what means this ? Why do you look on me ? I see no more in you than in the ordinary Of ...
Página 2
... ROSALIND , daughter to the banished Duke . CELIA , daughter to Frederick . PHEBE , a shepherdess . AUDREY , a country wench . Lords , pages , and attendants , & c . SCENE - Oliver's house ; Duke Frederick's court ; and the Forest of ...
... ROSALIND , daughter to the banished Duke . CELIA , daughter to Frederick . PHEBE , a shepherdess . AUDREY , a country wench . Lords , pages , and attendants , & c . SCENE - Oliver's house ; Duke Frederick's court ; and the Forest of ...
Outras edições - Ver tudo
Palavras e frases frequentes
ADAM Audrey beard BEAT Beatrice BEAU BORA BORACHIO brother Celia CLAUD comedy cousin daughter Dogberry Don John DON PEDRO dost doth DUKE F Exeunt Exit eyes fair faith father Folios fool FOREST Enter forest of Arden foul FRIAR Ganymede give grace hand hath hear heart heigh-ho Hero hither honour horns humour infra Jaques lady LEON Leonato live look lord Love's Love's Labour's Lost lover MARG Margaret marriage marry master master constable means merry Messina never night Oliver Orlando Ovid Phebe play prithee Quarto reading Rosalind SCENE Shakespeare shepherd SIDNEY LEE Signior Benedick sing song speak story supra swear sweet tell thank thing thou art to-morrow tongue TOUCH Touchstone troth Twelfth Night VERG villain WATCH wear WILLIAM SHAKESPEARE wilt wise woman word young youth