The dramatic (poetical) works of William Shakspeare; illustr., embracing a life of the poet and notes, Volume 2 |
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Página 24
... SCENE III . Another Part of the Wood . Enter TITANIA , with her Train . Tita . Come , now a roundel , ' and a fairy song , Then , for the third part of a minute , hence ; Some , to kill cankers in the musk - rose buds ; Some , war with ...
... SCENE III . Another Part of the Wood . Enter TITANIA , with her Train . Tita . Come , now a roundel , ' and a fairy song , Then , for the third part of a minute , hence ; Some , to kill cankers in the musk - rose buds ; Some , war with ...
Página 35
... SCENE II . Another Part of the Wood . Enter OBERON . Obe . I wonder if Titania be awaked ; Then , what it was that next came in her eye , Which she must dote on in extremity . 1 " I shall desire you of more acquaintance . " This kind of ...
... SCENE II . Another Part of the Wood . Enter OBERON . Obe . I wonder if Titania be awaked ; Then , what it was that next came in her eye , Which she must dote on in extremity . 1 " I shall desire you of more acquaintance . " This kind of ...
Página 36
... scene , and entered in a brake ; When I did him at this advantage take , An ass's now I fixed on his head ; Anon , his Thisbe must be answered , And forth my mimic comes . When they him spy , As wild geese that the creeping fowler eye ...
... scene , and entered in a brake ; When I did him at this advantage take , An ass's now I fixed on his head ; Anon , his Thisbe must be answered , And forth my mimic comes . When they him spy , As wild geese that the creeping fowler eye ...
Página 51
William Shakespeare. ACT IV . SCENE I. The same . Enter TITANIA and BOTTOм , Fairies attending ; Oberon behind , unseen . Tita . Come , sit thee down upon this flowery bed , While I thy amiable cheeks do coy , 1 And stick musk - roses in ...
William Shakespeare. ACT IV . SCENE I. The same . Enter TITANIA and BOTTOм , Fairies attending ; Oberon behind , unseen . Tita . Come , sit thee down upon this flowery bed , While I thy amiable cheeks do coy , 1 And stick musk - roses in ...
Página 57
... SCENE II . Athens . A Room in Quince's House . Enter QUINCE , FLUTE , SNOUT , and STARVELING . Quin . Have you sent to Bottom's house ? Is he come home yet ? VOL . 11 . 1 Meaning the death of Thisbe . 8 Star . He cannot be heard of ...
... SCENE II . Athens . A Room in Quince's House . Enter QUINCE , FLUTE , SNOUT , and STARVELING . Quin . Have you sent to Bottom's house ? Is he come home yet ? VOL . 11 . 1 Meaning the death of Thisbe . 8 Star . He cannot be heard of ...
Outras edições - Ver tudo
The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 1 William Shakespeare Visualização integral - 1850 |
The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 3 William Shakespeare Visualização integral - 1850 |
The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 5 William Shakespeare Visualização integral - 1850 |
Palavras e frases frequentes
Antonio Baptista Bass Bassanio BERTRAM better Bianca Bion Biondello Biron Boyet comes Costard Count daughter Demetrius doth ducats Duke Enter Exeunt Exit eyes fair father fear fool fortune friends gentle give grace Gremio hand hath hear heart Heaven HELENA Hermia Hippolyta honor Hortensio Kate Kath KATHARINA King knave lady Laun Launcelot look lord lovers Lucentio Lysander madam maid marry master means Merchant of Venice mistress Moth never night oath Oberon old copy reads Orlando Padua Petruchio PHILOSTRATE play Pompey pray Puck Pyramus ring Rosalind Rousillon Salan SCENE seignior Shakspeare Shylock speak swear sweet tell thee Theseus thine thing thou art thou hast Titania tongue Touch Tranio true unto Venice wife word young
Passagens conhecidas
Página 289 - With spectacles on nose, and pouch on side ; His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound : last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste, sans everything.
Página 20 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Página 273 - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
Página 165 - When shepherds pipe on oaten straws And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo: O word of fear, Unpleasing to a married ear!
Página 175 - If to do, were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions. I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.