| Paul N. Siegel - 1986 - 176 páginas
Examines Shakespearean drama's Christian overtones, explaining why they have been ignored for so long and how those overtones can influence one's interpretation of Shakespeare ... | |
| Cathleen T. McLoughlin - 2000 - 208 páginas
This intertextual reading of William Shakespeare's Henry IV Part I & II with François Rabelais's Gargantua and Pantagruel suggests that sufficient evidence exists to question ... | |
| Paul N. Siegel - 1986 - 178 páginas
Examines Shakespearean drama's Christian overtones, explaining why they have been ignored for so long and how those overtones can influence one's interpretation of Shakespeare ... | |
| David Ruiter - 2003 - 224 páginas
David Ruiter examines festivity as one of the components of time in the Shakespearean history plays. He argues that it is not a sometime participant in the movement of time and ... | |
| Imtiaz H. Habib - 1993 - 264 páginas
The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he ... | |
| Imtiaz H. Habib - 1993 - 264 páginas
The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he ... | |
| |