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Página 168
There is not a leaf in the world which has the same color visible over its whole
surface ; it has a white high light somewhere ; and in proportion as it curves to or
from that focus, the color is brighter or grayer. Pick up a common flint from the ...
There is not a leaf in the world which has the same color visible over its whole
surface ; it has a white high light somewhere ; and in proportion as it curves to or
from that focus, the color is brighter or grayer. Pick up a common flint from the ...
Página 230
individuality, and angular character should be changed into a mass of convex
curves, each precisely like its uct'ere as given neighbor in all respects, and
unbroken from beginning to end; — it may be highly original, masterly, bold,
whatever ...
individuality, and angular character should be changed into a mass of convex
curves, each precisely like its uct'ere as given neighbor in all respects, and
unbroken from beginning to end; — it may be highly original, masterly, bold,
whatever ...
Página 231
... and the distances between mass and mass are not yards of air traversed in an
instant by the flying form, but valleys of changing atmosphere leagues over ; that
the slow motion of ascending curves, which we can scarcely trace, is a boiling ...
... and the distances between mass and mass are not yards of air traversed in an
instant by the flying form, but valleys of changing atmosphere leagues over ; that
the slow motion of ascending curves, which we can scarcely trace, is a boiling ...
Página 254
... more or less defined in each, which impresses the mind with the most distinct
idea of parallelism. Neither are any of the lines actually straight and unhroTcen ;
on the contrary, they are all made up of the most exquisite and varied curves, and
...
... more or less defined in each, which impresses the mind with the most distinct
idea of parallelism. Neither are any of the lines actually straight and unhroTcen ;
on the contrary, they are all made up of the most exquisite and varied curves, and
...
Página 286
Its curves are of inconceivable perfection and chaiigefulness, its surface and
transparency alike exquisite, its light and shade of inexhaustible variety and
inimitable finish^ the shadows sharp, pale, and of heavenly color, the reflected
lights ...
Its curves are of inconceivable perfection and chaiigefulness, its surface and
transparency alike exquisite, its light and shade of inexhaustible variety and
inimitable finish^ the shadows sharp, pale, and of heavenly color, the reflected
lights ...
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Outras edições - Ver tudo
Palavras e frases frequentes
appear artist beauty become believe blue body boughs cause Chapter character Claude clear clouds color complete considered curves dark delicate dependent direction distance distinct drawing edge effect equally especially evidence example excellence execution expression fact fall false feeling foliage foreground give given gray greater green ground hand highest hills ideas imitation important impossible impression instance Italy kind knowledge landscape leaves less light lines look marked mass masters means mind mountain nature necessary never object observed once outline painter painting particular passages perfect perhaps picture piece pleasure present principles pure qualities receive reflection rendered respect rock seen separate shade shadow side space speak surface thing thought tion tone touch trees true truth Turner waves whole
Passagens conhecidas
Página 265 - ... the whole heaven — one scarlet canopy, — is interwoven with a roof of waving flame, and tossing-, vault beyond vault, as with the drifted wings of many companies of angels : and then, when you can look no more for gladness, and when you are bowed down with fear and love of the Maker and Doer of this, tell me who has best delivered this His message unto men ! ' Alps at Daybreak (Itogers's Poems :) Delphi, and various vignettes.
Página 91 - Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.
Página 207 - I stand, the chasm of sky above my head Is heaven's profoundest azure ; no domain For fickle, short-lived clouds to occupy, Or to pass through ; but rather an abyss In which the everlasting stars abide ; And whose soft gloom, and boundless depth, might tempt The curious eye to look for them by day.
Página 51 - A sufficient impulse there may be on the organ; but it not reaching the observation of the mind, there follows no perception: and though the motion that uses to produce the idea of sound be made in the ear, yet no sound is heard.
Página 51 - This is certain, that whatever alterations are made in the body, if they reach not the mind; whatever impressions are made on the outward parts, if they are not taken notice of within ; there is no perception. Fire may burn our bodies with no other effect than it does a billet, unless the motion be continued to the brain, and there the sense of heat or idea of pain be produced in the mind, wherein consists actual perception.
Página 156 - ... opens in a cloud at sunset the motionless masses of dark rock — dark, though flushed with scarlet lichen, casting their quiet shadows across its restless radiance, the fountain underneath them filling its marble hollow with blue mist and fitful sound, and, over all, — the multitudinous bars of amber and rose, the sacred clouds that have no darkness, and only exist to...
Página 220 - Attained his western bound; but rays of light — • Now suddenly diverging from the orb Retired behind the mountain tops or veiled By the dense air — shot upwards...
Página 50 - I have to prove to them that there are more things in heaven and earth than are dreamed of in their philosophy, and that the truth of nature is a part of the truth of God ; to him who does not search it out, darkness, as it is to him who does, infinity.
Página 26 - Perfect taste is the faculty of receiving the greatest possible pleasure from those material sources which are attractive to our moral nature in its purity and perfection.
Página 12 - If I say that the greatest picture is that which conveys to the mind of the spectator the greatest number of the greatest ideas, I have a definition which will include as subjects of comparison every pleasure which art is capable of conveying.
Informação bibliográfica
| Título | Modern Painters ... Volume 1 de Modern Painters, John Ruskin |
| Autor | John Ruskin |
| Editora | J. Wiley & sons, 1878 |
| Original de | Universidade de Virginia |
| Digitalizado | 12 Abr 2008 |
| Exportar citação | BiBTeX EndNote RefMan |