 | Robert Chambers - 1847 - 712 páginas
...saws and modern instances ; And so he plays hi» part. The sixth age blulls Into the lean and ilipperM d, not out of a pleasure in solitude, but out of a love and desire to sequester a man's self towards childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange... | |
 | William Shakespeare - 1848 - 498 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern2 instances, And so he plays his part : The sixth age...youthful hose well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound... | |
 | Thomas King Greenbank - 1849 - 446 páginas
...Even in the cannon's mouth. And then, the justice, In fair round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise...nose, and pouch on side ; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish... | |
 | Stanley Wells - 2002 - 244 páginas
...age', his broken voice should remind us of a similar description in Jaques's seven 'ages': The sixt age shifts Into the lean and slipper'd pantaloon,...hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.... | |
 | Michael G. Kammen - 1987 - 364 páginas
...reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut. Full of wise...on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | Georges Minois - 1989 - 376 páginas
...reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise...on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | Kenneth Ewart Boulding - 1990 - 268 páginas
...societies escaped. POWER IN OLD AGE Shakespeare's view of old age is not particularly attractive. "The sixth age shifts / Into the lean and slipper'd pantaloon,...hose, well sav'd a world too wide / For his shrunk shank; and his big manly voice, / Turning again toward childish treble, pipes / And whistles in his... | |
 | Jerry Blunt - 1990 - 232 páginas
...of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age sifts Into the lean and slipper'd pantaloon, With spectacles...youthful hose well sav'd, a world too wide For his shrunk shank, and his big manly voice Turning again toward childish treble, pipes And whistles in his sound.... | |
 | Peter Hamilton - 1992 - 338 páginas
...Full of strange oaths, and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Even in the cannon's mouth. And then the justice, In fair...pantaloon, With spectacles on nose, and pouch on side; His youthfull hose, well sav'ed, a world too wide For his shrunk shank; and his big manly voice, Turning... | |
 | Jonathan D. Spence - 1992 - 420 páginas
...The portraits of K'ang-hsi in old age are pitiable proof of the truth in Shakespeare's words : "The sixth age shifts / Into the lean and slipper'd pantaloon,...hose well sav'd, a world too wide / For his shrunk shank; and his big manly voice, / Turning again towards childish treble, pipes / And whistles in his... | |
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His youthful hose well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and... 
