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" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
Historical and critical matter The tempest. Two gentlemen of Verona. Merry ... - Página 12
por William Shakespeare - 1811
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The Cognitive Revolution in Western Culture: The birth of expectation

Don LePan - 1989 - 370 páginas
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Erbe und Umbruch in der neueren deutschsprachigen Komödie: Londoner ...

Hanne Castein, Alexander Stillmark - 1990 - 183 páginas
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Coleridge, Lamb, Hazlitt, and the Reader of Drama

Janet Ruth Heller - 1990 - 224 páginas
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Erbe und Umbruch in der neueren deutschsprachigen Komödie: Londoner ...

Hanne Castein, Alexander Stillmark - 1990 - 183 páginas
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The States of 'theory': History, Art, and Critical Discourse

David Carroll, Columbia University Press - 1990 - 316 páginas
...of the inflexible neoclassical position in the well-known passage from his "Preface to Shakespeare": "The truth is, that the spectators are always in their...only a stage, and that the players are only players." 5. I have argued that there is a common metaphysical grounding for the Essay on Criticism and the Essay...
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Aesthetic Illusion: Theoretical and Historical Approaches

Frederick Burwick, Walter Pape, University of California (System). Humanities Research Institute - 1990 - 478 páginas
...happening. We believe in it not as reality but as if it were reality. I quote again the often quoted lines: The truth is, that the spectators are always in their...only a stage, and that the players are only players. [...] It will be asked, how the drama moves, if it is not credited. It is credited with all the credit...
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Sources of Dramatic Theory: Volume 2, Voltaire to Hugo

D. J. Conacher - 1991 - 292 páginas
...are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the...only a stage, and that the players are only players < Co/2 3 1 > . They come to hear a certain number of lines recited with just gesture and elegant modulation....
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Thackeray's Cultural Frame of Reference: Allusion in The Newcomes

Rowland McMaster - 1991 - 194 páginas
...and literature. What Dr. Johnson had to say about the dramatic unities seems also to apply to novels: The truth is that the spectators are always in their...only a stage, and that the players are only players .... It will be asked how the drama moves, if it is not credited. It is credited with all the credit...
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Skepsis und Vernunft: Grundlagen der Kunsttheorie von William Hazlitt

Alice Rabeler - 1992 - 173 páginas
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Ekphrasis: The Illusion of the Natural Sign

Murray Krieger, Joan Krieger - 1992 - 292 páginas
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