...of the jaw, Darwin finds support from a judge possessing "wonderful knowledge of the human mind." 7 Is it not monstrous that this player here, But in...suiting With forms to his conceit? And all for nothing! Hamlet, ii, 2 In the romantic poetry of Wordsworth and Coleridge, in the literary allusions of Darwin,...

...conscious and unconscious mind. (19) Mazer quotes Hamlet's response to the Player's Hecuba Speech: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his own conceit? The process...

...am alone," says Hamlet. It is a long time since he was so. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned ... (546-551) "This player here": Burbage gestures to where he has performed. He re-plays it...

...another masquerading "nothing": O what a rogue and peasant slave am I! Is it not monstrous that the player here, But in a fiction, in a dream of passion,...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...

...marvelling at the professional actor moved to huge passion through a story, unmanned by an old tale: Tears in his eyes, distraction in's aspect, A broken...nothing. For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? (i. 2. 556-6t) I am following Shakespeare's draft, Qi. The Folio...

...the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...

...this player here, | But in a fiction, in a dream of passion, | Could force his soul so to his whole conceit, | That, from her working, all his visage...him, or he to Hecuba, | that he should weep for her?' The identification of the performer with his subject-matter, described here, is of central importance...

...his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene...

...his own conceit That from her working all the visage wanned, Tears in her eyes, distraction in his aspect, A broken voice, and his whole function suiting...him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with...

...ii ""£•• / • •«*• <• •••• / •••• Metatragedy: Art, Illusion, Imitation Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting,...