 | Melvin Theodor Solve - 1927 - 236 páginas
...to teach and delight. However, some think that when Sidney explains that those who "most properly do imitate .... borrow nothing of what is, hath been,...divine consideration of what may be and should be," that he goes much further into the region of the ideal than Aristotle meant to go. Shelley without... | |
 | Eugen Kölbing, Johannes Hoops, Reinald Hoops - 1915 - 504 páginas
...classes of versifiers who use Imitation] be they which most properly do imitate to teach and delight, and to imitate borrow nothing of what is , hath been , or shall be : but ränge , only reined with learned discretion, into the divine consideration of what may be, and should... | |
 | Charles William Eliot - 1910 - 442 páginas
...be and should be. These be they that, as the first and most noble sort may justly be termed votes, so these are waited on in the excellentest languages...foredescribed name of poets. For these, indeed, do merely make I to imitate, and imitate both to delight and teach, and delight to move men to take that goodness... | |
 | Philip Sidney - 1983 - 580 páginas
...beauty of such a virtue.18 For these third be they which most properly do imitate to teach and delight, and to imitate borrow nothing of what is, hath been,...languages and best understandings, with the foredescribed names of poets; for these indeed do merely make to imitate, and imitate both to delight and teach,... | |
 | A. Bartlett Giamatti - 1984 - 196 páginas
...the term and makes it general: These be they that, as the first and most noble sorte, may be justly termed Vates, so these are waited on in the excellen[te]st languages and best vnderstandings, with the fore described name of Poets.26 As the casualness of Don Quixote's comment... | |
 | Jan Adrianus van Dorsten, Dominic Baker-Smith, Arthur F. Kinney - 1986 - 268 páginas
...sophisticated appreciation of the fictional imagination — that quality of the right poet which ranges, 'only reined with learned discretion, into the divine consideration of what may be and should be' — obviously grew out of a richer literary sediment than this vernacular writing could supply. Here... | |
 | George Alexander Kennedy, Glyn P. Norton - 1989 - 790 páginas
...conception of mimesis. Borrowing 'nothing of what is, hath been, or shall be', the mimetic poet ranges 'with learned discretion, into the divine consideration of what may be and should be'. Unlike the 'meaner sort of painters', who, bound to nature like the historian, 'counterfeit only such... | |
 | Clark Hulse - 1990 - 244 páginas
...The right poets, he declares, like the right painters, are they who "do imitate to teach and delight, and to imitate borrow nothing of what is, hath been,...divine consideration of what may be and should be" (Defence, p. 81). Likewise he justified his political and military actions in the Netherlands in the... | |
 | Michael J. Sidnell - 1991 - 332 páginas
...Plato's view of the scope of poetic imitation, Sidney finds a special excellence in the real poets who "to imitate borrow nothing of what is. hath been or shall be but range, only reigned with learned discretion, into the divine consideration of what may be and should be" Ip. 12I.... | |
 | Vincent Newey, Ann Thompson - 1991 - 316 páginas
...virtue. Artists of this latter sort, painters or poets, 'most properly do imitate to teach and delight, and to imitate borrow nothing of what is, hath been, or shall be'.12 The phrase which Sidney applies to artists who are mere copyists, 'the meaner sort', is ambiguous... | |
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... most properly do imitate to teach and delight; and, to imitate, borrow nothing of what is, hath been, or shall be: but range, only reined with learned discretion, into the divine consideration of what may be, and should be. 
