 | John M. Berden - 2007 - 592 páginas
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 | Nancy Bogen - 2007 - 426 páginas
...here describing Cleopatra's meeting with Antony: The barge she sat in, like a burnish 'd throne, Burnt on the water. The poop was beaten gold; Purple the...oars were silver, Which to the tune of flutes kept strokes, and made The water which they beat to follow faster, As amorous of their strokes. For her... | |
 | Nancy Bogen - 2007 - 428 páginas
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 | Robert A. Logan - 2007 - 276 páginas
...sensory, auditory, and rhythmic effects — Cleopatra's trip down the Cydnus to meet Antony: . . . the oars were silver, Which to the tune of flutes...beat to follow faster, As amorous of their strokes. (Ant., II, ii, 204-7) Both passages contain oars and use the pathetic fallacy to suggest the harmony... | |
 | Oscar Wilde - 2007 - 604 páginas
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 | Joseph Cook - 2007 - 488 páginas
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 | Julie Sanders - 2007 - 243 páginas
...jazz-music-influenced The Waste Land: I will tell you. The barge she sat in, like a burnished throne Burned on the water. The poop was beaten gold; Purple the...perfumed that The winds were love-sick with them. (Antony and Cleopatra, n.ii. 197-201) In its renamed form, however, the opening number of the suite... | |
 | Darryl Brock - 2007 - 434 páginas
...on the river, Hurley recited sarcastically: "The barge she sat in, like a burnish' d throne, Burnt on the water. The poop was beaten gold, Purple the...perfumed that The winds were love-sick with them. ..." Then he pretended to choke, gagging and clutching at his mouth. Champion was not amused. "What's... | |
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Burn'd on the water ; the poop was beaten gold, Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of... 
