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" Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face,... "
Songs and Sonnets by William Shakespeare ... - Página 88
por William Shakespeare - 1887 - 253 páginas
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Shakespeare's Sonnets: Critical Essays

James Schiffer - 2000 - 474 páginas
...("Kissing with golden face" [3]), broaching and then concealing the possibility of moral culpability: "Anon permit the basest clouds to ride / With ugly...hide, / Stealing unseen to west with this disgrace" (33.5-8). The rhyme scheme divides the poem into three quatrains and a couplet, but the rhetoric and...
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Shakespeare's Sonnets: Critical Essays

James Schiffer - 2000 - 474 páginas
...concealing the possibility of moral culpability: "Anon permit the basest clouds to ride / With ugh' rack on his celestial face, / And from the forlorn...hide, / Stealing unseen to west with this disgrace" (33.5-8). The rhyme scheme divides the poem into three quatrains and a couplet, but the rhetoric and...
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Science, Myth Or Magic?: A Struggle for Existence

Samuel Anthony Barnett - 2000 - 210 páginas
...makes the rising sun a person. And Shakespeare provides different images to show us a glorious morning, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy. After these fragments, ruthlessly torn from two of England's greatest poets, the reader may expect...
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The Tragedy of Richard III, with the Landing of Earle Richmond, and the ...

William Shakespeare - 2001 - 500 páginas
...eastward hill.' — Hamlet, I, i, 166; 'Full many a glorious morning have I seen Flatter the mountain tops with sovereign eye, Kissing with golden face the meadows...hide, Stealing unseen to west with this disgrace.' — Sonnet, xxxiii. 'The sun ariseth in his majesty; Who doth the world so gloriously behold That cedar-tops...
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The Sonnets

William Shakespeare - 2001 - 164 páginas
...meadows green, Gilding pale streams with heavenly alchemy; s Anon permit the basest clouds to ride 6 With ugly rack on his celestial face, And from the forlorn world his visage hide, s Stealing unseen to west with this disgrace: Even so my sun one early morn did shine w With all-triumphant...
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Sexual Shakespeare: Forgery, Authorship, Portraiture

Michael Keevak - 2001 - 175 páginas
...conventional periphrasis of the dawn: Full many a glorious morning have I seen Flatter the mountain tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alcumy; Anon permit the basest clouds to ride With ugly rack on his celestial face[.] (33-1-6) But...
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Lectures Upon Shakspeare

Samuel Taylor Coleridge - 2001
...images to human nature itself: — Full many a glorious morning have I seen Flatter the mountain tops with sovereign eye ; Kissing with golden face the meadows green, Gilding pale streams with heavenly alchymy, <fce. 33d Sonnet. NOTES ON MASSINGER. HAVE I not overrated Gifibrd's edition of Massinger...
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Henry V

William Shakespeare - 2001 - 500 páginas
...will dart forth." — MALONE (Second Appendix to Suppl., 1783): So, in our author's 33rd Sonnet: "Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, — Anon permit the basest clouds to ride With ugly rack on his celestial face." 195-197.] MALONE (Second...
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The Strength of Poetry

James Fenton - 2003 - 266 páginas
...a glorious morning have I seen'), in which the morning sun shines first, before it 'Anon [permits] the basest clouds to ride | With ugly rack on his celestial face', is evidence for Pequigney that the young man, after spending an hour in Shakespeare's company, went...
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The Story of Light

Ben Bova - 2002 - 464 páginas
...Lloyd McDaniel, Webmaster extraordinaire and an even better friend. •I Full many a glorious morn have I seen Flatter the mountain-tops with sovereign...green, Gilding pale streams with heavenly alchemy... William Shakespeare Sonnet XXXII I Contents List of Illustrations ix Author's Foreword xi I. TO SEE...
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