 | 1830 - 288 páginas
...so4, I should do him " injury to compare him to the greatest of " mankind. He is many times flat and insipid; " his comic wit degenerating into clenches; his " serious swelling into bombast. But he is " always great when sonae great occasion is pre" sentedto him. " Great he may be justly called,... | |
 | William Shakespeare - 1832 - 364 páginas
...not laboriously, but luckily : when be describes any thing, you more than see it, you feel it too. Those, who accuse him to have wanted learning, give...looked inwards, and found her there. I cannot say he is every where alike ; were he so, I should do him injury to compare him with the greatest of mankind.... | |
 | John Genest - 1832 - 514 páginas
...laboriously, but luckily — when he describes any thing, you more than see it, you feel it too — those who accuse him to have wanted learning, give...inwards and found her there — I cannot say he is every where alike ; were he so, I should do him injury to compare him with the greatest of mankind... | |
 | James G. McManaway - 1990 - 442 páginas
...them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learn 'd; he needed not the spectacles of books to read nature, he look'd inwards, and found her there.... | |
 | Michael J. Sidnell - 1991 - 332 páginas
...them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give...looked inwards, and found her there, I cannot say he is every where alike: were he so, I should do him inlury to compare him with the greatest of mankind,... | |
 | James Shapiro - 1991 - 234 páginas
...laboriously, but luckily." Whereas in Jonson's labored art "you find little to retrench or alter," Shakespeare "is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast."56 The critical terms first offered by Jonson at the turn of the century proved elastic enough... | |
 | Brian Vickers - 1995 - 585 páginas
...them not laboriously, but luckily. When he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give...looked inwards, and found her there. I cannot say he is every where alike; were he so, I should do him injury to compare him with the greatest of mankind.... | |
 | Jean I. Marsden - 1995 - 214 páginas
...again, Dryden sets the tone, finding Shakespeare both the most brilliant and the dullest of poets: "He is many times flat, insipid; his comic wit degenerating...into clenches, his serious swelling into bombast" (Monk, 55). This objection appears throughout Dryden's essays, particularly in "The Grounds of Criticism... | |
 | Alan Sinfield - 1996 - 172 páginas
...the images of nature were still present to him, and he drew them not laboriously, but luckily. . . . Those who accuse him to have wanted learning give...read nature. He looked inwards, and found her there. 44 As Dobson has pointed out, this presentation of the 'naturalness' of Shakespeare was a common tactic... | |
 | Bill Readings - 1996 - 260 páginas
...and with little Latin, Shakespeare is claimed by Dryden not to have written with anything in mind: "Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learn'd; he needed not the spectacles of Books to read Nature; he look'd inwards, and found her there."16... | |
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All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was... 
