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" Pity it is, that the momentary beauties flowing from an harmonious elocution, cannot like those of poetry be their own record! That the animated graces of the player can live no longer than the instant breath and motion that presents them; or at best... "
Memoirs of the Life of the Right Honourable Richard Brinsley Sheridan - Página 174
por Thomas Moore - 1825 - 602 páginas
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Hamlet: Edited by Horace Howard Furness, Volume 3

William Shakespeare - 1905 - 512 páginas
...last department our accounts of how great actors spoke are so meagre. As GIBBER says of BETTERTON : ' Pity it is that the momentary Beauties flowing from...at best, can but faintly glimmer through the Memory or im' perfect Attestation of a few surviving Spectators. Could how Bet' terton spoke be as easily...
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Hamlet, Volume 1

William Shakespeare - 1905 - 532 páginas
...last department our accounts of how great actors spoke are so meagre. As GIBBER says of BETTERTON: 'Pity it is that the momentary Beauties flowing from...at best, can but faintly glimmer through the Memory or im' perfect Attestation of a few surviving Spectators. Could how Bet' terton spoke be as easily...
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The Cyclopedia of Victoria (illustrated): An Historical and ..., Volume 3

James Smith - 1905 - 662 páginas
...speak what the other only knew how to write. Pity it is that the momentary beauties flowing from a harmonious elocution cannot, like those of poetry,...live no longer than the instant breath and motion presents them, or at best can but faintly glimmer through the memory or imperfect attestation of a...
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The Dial, Volumes 42-43

Francis Fisher Browne - 1907 - 852 páginas
...comedy actresses of the period. Colley Gibber lamented that the animated graces of the player could live no longer than " the instant breath and motion that presents them ": when the curtain falls and the play is played, all " the youth, the grace, the charm, the glow "...
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Notices of the Proceedings, Volume 18

Royal Institution of Great Britain - 1909 - 906 páginas
...only on the sand. Indeed, I share Colley Oibber's regret that " the momentary beauties flowing from harmonious elocution cannot, like those of poetry,...through the memory of a few surviving spectators." Equally eminent and more modern writers have used their pens in the admission that the death of an...
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Mrs. Fiske: Her Views on Actors, Acting, and the Problems of Production

Minnie Maddern Fiske - 1917 - 254 páginas
...set down long ago by that famous actor, critic, dramatist, and annalist of the stage, Colley Cibber: Pity it is that the momentary beauties flowing from...of the player can live no longer than the instant breadth and motion that presents them; or, at best, can but imperfectly glimmer through the memory...
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The Actor's Heritage: Scenes from the Theatre of Yesterday and the Day Before

Walter Prichard Eaton - 1924 - 384 páginas
...play'd him! Then might they know, the one was born alone to speak what the other only knew to write ! Pity it is that the momentary Beauties flowing from...at best can but faintly glimmer through the Memory or imperfect Attestation of a few surviving Spectators. Could how Betterton spoke be as easily known...
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Empty Chairs

Squire Bancroft - 1925 - 276 páginas
...by the kind auspices under which I had the good fortune to practise it." IX THE STAGE n " Pity it is that the animated graces of the player can live no...through the memory of a few surviving spectators." I WILL now write of the man who was for many years the chief of the English stage, Henry Irving. He...
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The Plays & Poems of Richard Brinsley Sheridan: Pizarro. Clio's protest ...

Richard Brinsley Sheridan - 1928 - 386 páginas
...the eye, While England lives, his fame can never die ; But he, who slruts his hour upon the slage, Can scarce protract his fame through half an age ;...through the Memory of a few surviving Spectators." This "chief thought" is, indeed, no more than a great commonplace of the theatre. It had been uttered...
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The Plays & Poems of Richard Brinsley Sheridan: Pizarro. Clio's protest ...

Richard Brinsley Sheridan - 1928 - 386 páginas
...; Nor pen nor pencil can the actor save ; The art and artist have one common grave. Colley Cibber, too, in his portrait (if I remember right) of Betterton,...through the Memory of a few surviving Spectators." This "chief thought" is, indeed, no more than a great commonplace of the theatre. It had been uttered...
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