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List of Illustrations Acknowledgments Introduction Prologue  Chapter 1. In Search of Kultur The Strasbourg Olympic Games in Music--Beethoven and Jean-Christophe--Romain Rolland and Richard Strauss--Above the Battle?  Great Britain Chapter 2. Pomp and Circumstance Defining Poland and Belgium--Countering Charges from Home and Abroad Chapter 3. The Old Lie Elgar's Women and Fallen Heroes--Other War Requiems Chapter 4. The Symphony of the Front Christmas 1914--Concerts and Soldier Songs--National Airs and Popular and Retexted Tunes  France Chapter 5. Mobilization and the Call to History The Silent Muse and War Pages--En blanc et noir--Neoclassicism and National Identity Chapter 6. War and the Children Noel of The Children Who No Longer Have a Home--War in a Toy Box--Joan of Arc Chapter 7. War Games, 1914--1915 A March, a Dedication, and a Drawing--Game Theory, War, and the Lively Arts Chapter 8. Charades and Masquerades Beethoven and Doggerel--Renard and a Soldier's Tale--National Anthems Chapter 9. Church, State, and Schola Veteran, Monarchist, Classicist--The Legend of St. Christopher--Problems with Beethoven, Protestants, and Jews Chapter 10. Neoclassicism, Aviation, and the Great War "Trois beaux oiseaux du Paradis"--The Wounded Muse--The "Toccata" and the War in the Air--Flights of Fancy  Italy Chapter 11. The World of the Future, the Future of the World Futurism and Music--Visionary Classicist  Germany-Austria Chapter 12. "Dance of Death" The Lost Brigade--Jacob's Ladder--A Vision for the Future Chapter 13. "The Last Days of Mankind" A March and a Soldier's Tale--Momentary Fraternite  The United States of America Chapter 14. "The Yanks Are Coming" War Song as Interventionist Propaganda--Women and the War--Troop Entertainments Abroad Chapter 15. "Onward Christian Soldiers" Church, State, and Moral Reciprocity--Billy Sunday--Hymns, Sentimental and Militant Chapter 16. The 100% American "The Star-Spangled Banner"--The Four-Minute Men and the Movies Chapter 17. "Proof Through the Night" The Chicago Symphony Orchestra--The Boston Symphony Orchestra and "L'affaire Muck"--Good Citizenship--Opera and Ballet in New York Chapter 18. "On Patrol in No Man's Land" The "Hellfighters" of the 369th Regiment--From the Tuileries to the Recording Studio--The "Damnable Dilemma"--Birth of an American Conservatory in Fontainebleau Chapter 19. Coming of Age in America John Alden Carpenter--Coming to Terms with the Avant-garde--Leo Ornstein: America's Futurist--Charles Ives: Private Witness to the Great War  Post-Armistice Chapter 20. "Goin' Home" Armistice and Celebration--"Goin' Home"--"My Buddy" Chapter 21. Ceremonials and the War of Nerves Nerves, Jazz, and the "Lost Generation"--Antheil and the Suppression of Sentiment Chapter 22. The Persistence of Memory Twilight in Belgrade: Ravel's Frontispice--Twilight in Vienna: La valse--Re-evaluating National Histories--A Concerto for the Left Hand Chapter 23. Prophecies and Alarms Triptychs: Grunewald, Dix, and Hindemith--Gershwin's Strike Up the Band!  Epilogue Chapter 24. Unfinished Business Notes Bibliography Index List of CD Contents

1 online resource (xvi, 598 pages) : illustrations

Watkins's narrative argues that 20th-century Modernism was not launched full force with the advent of the Great War but rather was challenged by a new set of alternatives to the prewar avant-garde

Proof through the night : music and the great war