ADAPTING TO THE STAGE : theatre and the work of henry james

Abandoning the Soliloquy/Staging the Narrator; 1: Two contexts: the Theatre and the Oeuvre; 1: Psychological Space in ‘The Summersoft Group’and the Late Plays; 2: 1881–94: Well-made Drama; 3: ‘A Projected Form’: Ellipsis and the Fourth Wall; 4: Conclusion: Abandoning the Soliloquy; 2: ‘The Theatrical Strait-jacket’: The Other House and The Spoils of Poynton; 5: The ‘Cultivation of Limits’; 6: The Other House: Psychology Embodied; 7: Fleda’s Sense of the Past: The ‘Poetry of… Something Sensibly Gone ’; 8: Conclusion: The Material Self